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Word: guitars (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...Jubilee Singers, now 100% male, have never sung hotcha, keep their spirituals pure and dignified. But last week in Fisk Memorial Chapel, to the dismay of diehards, Negroes stomped, slapped their thighs, plunk-a-plunked banjos and guitars, sang blues and "sinful songs." Fisk's music director, white, German-descended, Harvard-trained Harold Schmidt, 31, had resolved that "Fisk's celebration should sound of whatever is Negro. The five-day program included such commercially successful performers as guitar-playing Joshua White, work-song singer, and the gospel-swinging Golden Gate Quartet. To show what his university choir could...

Author: /time Magazine | Title: Music: Year of Jubilee | 5/12/1941 | See Source »

...plushy, subterranean auditorium where, between series of movie classics, its customers have heard Mexican music, Brazilian music, movie music, Parisian music (by Darius Milhaud). Last week Museumgoers heard something even more tittupy: the first of six "Coffee Concerts" whose artists will range from an angel-winged, guitar-playing Negro bishop to a squeeze of Spanish bagpipers...

Author: /time Magazine | Title: Music: Concerts without Culture | 5/12/1941 | See Source »

Future Coffee Concerts include: an oratorio version of the chichi-melodious Gertrude Stein-Virgil Thomson opera, Four Saints in Three Acts; Spanish music (with the bagpipers); voodoo dancers and Brazilian Soprano Elsie Houston; a "Jubilee" of gospel-singing Negro quartets (some with three or five members) and the guitar-playing bishop. The bishop, the Rev. Utah Smith, wears paper wings, lately inspired Composer-Critic Thomson to write: "As a stimulator of choric transports he incites the faithful to movements and behavior not very different from those of any true jitterbug. Myself, I found it distinctly pleasant to hear good swing...

Author: /time Magazine | Title: Music: Concerts without Culture | 5/12/1941 | See Source »

...Russell is playing clarinet obbligato, weaving a jerky, almost insane pattern of dissonant, spit-laden phrases, companying his efforts with facial contortions that make you fear for his blood-pressure. And all the time, the rhythm section led by George Wetting's drums and Eddic Condon's guitar, is giving the boys a wonderful beat to work around. It's the climax, now, and you think it's all over. They can't play any better than this, but at the end of the chorus McPartland raises his hand signalling for one more, and everybody comes in and they really...

Author: By Charies Miller, | Title: SWING | 4/18/1941 | See Source »

...written by Texan Bob Wills, and recorded a year ago (in Columbia's hillbilly catalogue) by Wills and his Texas Playboys. It was a seller long before Tin Pan Alley heard it. For Texas has boomed mightily as a source and an outlet for popular music. The late guitar-toting Jimmie Rodgers, onetime brakeman on the Southern Railway, helped start the boom, on Victor hillbilly records a dozen years ago. Now Victor's Bill Boyd, Columbia's Gene Autry, Bob Wills, Bonnie Blue Eyes and Patsy Montana sing to the nation the songs that Texas makes...

Author: /time Magazine | Title: Music: Songs from Texas | 3/24/1941 | See Source »

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