Word: guitars
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Dates: during 1950-1959
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...clerk in Glasgow, he dashed off doggerel for the weeklies, and burned with an adventurer's ambition to make a million dollars, write 1,000 poems, and live for a century. In hot pursuit of these ends, he hopped a freighter to Canada in 1895, a ruddy-faced, guitar-playing, wind-drifted 21-year-old fiddle-foot with a Scottish burr. He worked anywhere, at anything-swilling swine in British Columbia, tending roses...
...William Lee Conley Broonzy, the business of crying the blues began when he and his twin sister Lannie were still barefoot kids scuffling in the played-out dirt around their parents' shack near Jackson, Miss. Bill pestered the owner of the general store into giving him a guitar. "Bill could play your name on it," says Lannie. "I swear he could make it talk...
Swinging easily from suave, Como-style sophistication to the animal beat of rock 'n' roll, Domenico still managed to save some memory of the guitars and ritual-dance rhythms of his gypsy ancestors. The freshness of his singing, the unlettered freedom of his song itself are probably due in part to the fact that he has yet to find time to learn to read or write music. His father taught him simple tunes when he was still a barefoot boy barely as big as his guitar. He composed his first song at 14, has been playing ever since...
...play the guitar. Just turn the dial and strum. No fingering necessary . . . You can go on TV with your own guitar and your own entertainment." This invitation to the arts is part of an advertisement for the Dial-A-Chord, a $12 gadget that enables a fledgling guitarist to change chords at the flick of a plastic wheel and presumably to toss off a habanera at first strumming. Music merchants on their way home last week from their annual convention in Chicago went armed with dozens of such labor-saving and interest-killing devices designed to hook some...
...Basie (Paul Quinichette, tenor sax; Shad Collins, trumpet; Nat Pierce, piano; Freddie Greene, guitar; Walter Page, bass; Jo Jones, drums; Prestige). "Count don't play nothin'," said a Basie veteran once, "but it sure sounds good." This nostalgic album is a fine reminder of what that line meant. The selection of five Basie classics (including Texas Shuffle and Diggin' for Dex) is taken from the period 1937 to 1941 and played by three veterans of the Basie rhythm section...