Word: guitars
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Dates: during 1950-1959
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...lives in West Germany as a popular recording artist and movie actress. Her singing style has settled into a kind of modified Moorish that can develop into a frightening, savage howl or sink into a sweet whisper. Last week she occasionally accompanied herself expertly on a guitar, playing some poignant harmonies that freshened the overfamiliar Latin tunes...
...Giant Guitar. Bellini's Norma, which Callas had chosen for her New York de but, is a second-rate work. It is a rare operatic phenomenon in that the libretto is not much sillier than the score. The story takes place during the Roman occupation of Gaul. Norma is a Druid high priestess, who, though pledged to virginity in the service of the moon goddess, has borne two children of the Roman proconsul. When he casts her off for another Druid priestess, Norma arouses the local underground against him. But in the end she repents, publicly confesses her sins...
...safely married. Every song was almost without flaw, as in a languorous dream, rich and edgeless as whipped cream, and always giving a hint of something a little more respectable than a mere pop tune, as the massed strings soared to the discrete pulsation of a harp or a guitar. And sometimes the music actually was more respectable, as when it was an orchestral arrangement of an operatic aria. This was the music of Annunzio Paolo Mantovani, a swarthy Italian-turned-Briton who five years ago zoomed to the top of the "mood music" heap and has stayed...
...Laughton, his glib tongue in his dumpling cheek, introduced Elvis with: "Ed insisted I give a high tone to the proceedings," then, to the frenzied shrieks of the teenagers, let Hillbilly Presley take over. Crooner Presley, sideburns dripping with sweat and goose grease, mumbled through three songs, gave his guitar a thorough clouting, contorted his mouth suggestively and his pelvis more so. When it was over, parents and critics, as usual, did a lot of futile grumbling at the vulgarity of this strange new phenomenon that must somehow be reckoned with...
...strings) and used it in their version of Ravel's Bolero. Their latest effort is even weirder. The tunes in Soundproof (Greensleeves, Baia, Lover) contain effects that resemble giant rubber bands being plucked, the click of a tack hammer, xylophones and harpsichords, and a sound like a Hawaiian guitar quivering on the breeze. To play these tricks, Pianists Ferrante and Teicher not only mute the strings with wads of paper, bits of wood and metal bars, but also pluck the strings while holding down keys for resonance, and even scratch the strings with their fingernails. For all their eccentric...