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Word: guitars (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

Like last year's Lodger album, Bowie serves up his techno-rock blend with great coolness and calculation here. Scary Monsters' atmosphere of brooding paranoia is constructed with meticulous care, emphasizing abrasive musical textures. Clattering percussion, slithering keyboards and piercing guitar (courtesy of Robert Fripp) surround Bowie's sometimes morose, sometimes hypertense vocals. Oddities, such as a Japanese translation of "It's No Game," are included just for the sake of bizarreness...

Author: NO WRITER ATTRIBUTED | Title: DAVID BOWIE | 11/18/1980 | See Source »

Taylor spoke of his career and his experiences in the music industry. He treated the enthusiastic crowd to a few selections on the guitar and fingered the keyboard of a nearby piano several times during his talk...

Author: By Marco L. Quazzo, | Title: Livingston Taylor | 11/14/1980 | See Source »

...apocryphal Mr. Freelob is an archetypal Doobies fan. If he could play a little guitar he could even be a Doobie; even if he couldn't play, some spoilsport critic might suggest, he could still join the band. Paul's personal history is a lot like the band's. The Doobies (the name is San Francisco slang for reefer) started out playing for Hell's Angels and similar roughriding biker types ten years ago, had a couple of random hit singles, endured several massive changes of personnel and finished...

Author: /time Magazine | Title: Music: Dancing down the Middle | 11/10/1980 | See Source »

...Jean-Luc Godard has been cinema's master of collage. His films assemble scraps of dust-jacket wisdom, revolutionary rhetoric, sexual aggression, the music and the language of the streets, images from books, TV, magazines and billboards, forming a mosaic that melds the graphic wit of a Braque guitar with the anarchic intensity of a kidnaper's ransom note. In Every Man for Himself, the first Godard film to be distributed in the U.S. since 1972, he has tried to make an accessible movie while still speaking in his steely, ironic voice. But Godard will not be compromised...

Author: /time Magazine | Title: Cinema: Ghost Sonata | 10/27/1980 | See Source »

...material of Alive on Arrival., As I watch Forbert rehearse his road band, that innocence sparks again. Every time they run through Arrival's "Goin' Down to Laurel," the singer breaks into an exuberant, cowboy-booted shuffle. Music, including his own, is Forbert's obvious delight. A Meridian, Mississippi guitar teacher recalled him as "... an average player, but all fired up." In 1976, Forbert left home and a truck driving job to play Greenwich village coffeehouses...

Author: By Byron Laursen, | Title: THE FORBERT SAGA | 10/16/1980 | See Source »

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