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Word: guitars (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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There was something different about the resurrection of Dinosaur Jr. even from its abstract beginnings. Before Pavement brought the slacker ethos to its natural, albeit eccentric climax, the reformed hardcore punks J. Mascis and Lou Barlow, along with drummer Murph, sculpted murky, long-range guitar workouts for the laid-back and the incidentally employed. Mascis’ twangy intonation rendered the kind of vocal performance that seemed as surprised as the listener with the craggy and uncompromisingly melodic. Not unlike the generation of grunge bands it inspired, it never seemed meant to last. Well-beloved but critically understated in general...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Dinosaur Jr. | 9/4/2009 | See Source »

...Stillness Is the Move” dropped, it was clear that Dirty Projectors were moving into new and exciting territory. The song sounds like nothing else the band has ever done before, bordering on mainstream R&B. Lead singer and songwriter Dave Longstreth restricts himself to just playing guitar and handing the vocals over to the dulcet voice of Amber Coffman. It is conventional in structure and features delightfully innocent lyrics—“From now until forever, baby / I can’t imagine anything better”—that make it a perfect anthem...

Author: By Chris R. Kingston, CRIMSON STAFF WRITER | Title: Dirty Projectors | 9/4/2009 | See Source »

...audience clustered in pairs on the requisite low leather couches. At this point, the oval-shaped room, covered with overlapping wooden panels, felt like the belly of a very fashionable beast. But as louder acts followed—with the youthful Moniker rocking out on their four guitars and asking the crowd to get up—Tenjune started to feel like a real rock venue. The seasoned band The States, fronted by guitarist-songwriter Christopher W. Snyder ’04 and the Ashley 1st Band headlined the night with good, clean rock.Though much emphasis was placed...

Author: By Rebecca J. Levitan, CRIMSON STAFF WRITER | Title: Let Them Rock | 9/4/2009 | See Source »

...cello involves really beautiful movement, and I really wanted to make sure it wasn’t missed.There is another piece I originally choreographed to recorded music but I’ve always wanted to do it live because I’ve been enamored of the classical guitar for a while. There’s a very human element to having live music that I think gives a dance piece something more when you have the musician present. I’m a really musically- driven choreographer, so I’m trying to do everything...

Author: By Denise J. Xu, CRIMSON STAFF WRITER | Title: SPOTLIGHT: LARISSA D. KOCH ’08-’09 | 9/4/2009 | See Source »

...unexpected accessibility. The album opens at high energy, but the frenetic driving beat of the title track soon relaxes into a calm, agreeable record. An early highlight, “The End Is Near,” features a bluesy piano riff refreshing for its childlike simplicity. The guitar breakdown in follow-up track “Drive to Dallas” is one any shredder could be proud of, and its improbable fluctuations in energy showcase lead vocalist Eleanor Friedberger’s distinctive voice. At the Furnaces’ best, their songs sound like an exploration...

Author: By Molly O. Fitzpatrick, CRIMSON STAFF WRITER | Title: The Fiery Furnaces | 9/4/2009 | See Source »

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