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...Freshman Dean’s Office, which hosted the event, hopes to introduce more non-athletic intramural activities in the future, such as Guitar Hero competitions or trivia tournaments, said Katie W. Steele, the Director for Freshman Programming...

Author: By Julie R. Barzilay, CRIMSON STAFF WRITER | Title: Freshmen Spell For IM Points in Bee | 2/19/2010 | See Source »

...There’s a book on the shelf called “Cinema Now.” We eat crackers and hummus while everyone winds down, and I look at the Clash’s “London Calling” poster, Paul Simonon smashing his guitar...

Author: By Mark J. Chiusano, CRIMSON STAFF WRITER | Title: Brandeis | 2/18/2010 | See Source »

Several other pieces, such as “She Rode Me Down,” follow in the title track’s motley footsteps. Sharp winds and crashes of a thunderstorm give way to flamenco guitar strumming and maracas, mixing with the quirky tinkle of a glockenspiel, hand claps and a spirited jazz flute. The somber growling of a cello intimates the lyrics Staples croons (“She rode me like a storm / Like a soaking brooding storm”), while the clear, brassy peals of the horn section end the track on a vigorous note. It?...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Tindersticks | 2/17/2010 | See Source »

While most of the album is immediately likeable, the few songs which do fall flat tumble headfirst. Track two, “Keep You Beautiful,” is a disappointing departure from the more audacious tracks. The weak drum beats and timid, painfully repetitive guitar loops invoke a stupor perhaps appropriate to some hazy, dim-lit lounge, but they fail to sustain the energy of the opener. “Keep You Beautiful” also lacks the diversity of the album’s better tracks; while a vibraphone and triangle rescue it from complete monotony, the song...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Tindersticks | 2/17/2010 | See Source »

...between minimalism and complexity, epitomizing how “Falling Down A Mountain” fares best when Tindersticks employ more, rather than fewer, of the elements at their disposal. Female vocals provide a pleasing contrast with Staples’ unmistakable baritone, as do the piano and loose, bluesy guitar, but the bare aesthetic risks alienating fans of the band’s multi-instrumentalist approach. Thankfully, synths, strings and horns come to the rescue halfway through, filling out the song’s meager build and preventing it from going the tedious way of “Keep...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Tindersticks | 2/17/2010 | See Source »

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