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...Another Way to Die," Jack White and Alicia Keys One problem is that White and Keys have no audible chemistry. Another is that their song has no chorus. But mostly it's that lo-fi guitar fuzz suits Bond about as well as a rented tux. (Read Richard Corliss's Quantum of Solace review...

Author: /time Magazine | Title: The Art (and Business) of the James Bond Theme Song | 11/13/2008 | See Source »

...look at the screen / When I think about my chance for me to intervene / And it’s up to me to bring back the hope.” Which raises the question, does he succeed? In the same song, Q-Tip forcefully announces his return. The jazzy guitar licks, insistent bass line, sparklingly dissonant piano line, and tight drum beat tell the listener in no uncertain terms that Q-Tip is still an excellent producer. On the closer “Shaka,” the jazzy shades of keyboard strongly evoke A Tribe Called Quest?...

Author: By Mark A. Fusunyan, CONTRIBUTING WRITER | Title: Q-Tip | 11/13/2008 | See Source »

...roommate Julie and Luke from the Frisbee team,” the singer-songwriter said.“Luke from the Frisbee team”–Luke L. Sperduto ’11–accompanied O’Neill’s vocals on the guitar and then added a harmonica, much to the crowd’s delight.For the last song, O’Neill took up her violin to round out “Julie’s Waltz,” named for Julie M. Wright ’11, who played piano...

Author: By Chelsea L. Shover, CRIMSON STAFF WRITER | Title: The Battle of the Bands | 11/10/2008 | See Source »

...audience was a mixture, as well—of old and young, rustic and intellectual, neophyte and old believer. When the man that they were all waiting for, that had brought them together under those timbers that night, took the stage—burly, black shirt, slightly stooped with guitars in both hands—that hum of anticipation burst into a roar. Without a word, he sat down at his stool in the spotlight, adjusted the microphone towards his instrument, and began to play.There are few living guitarists who could consider themselves equal to Leo Kottke. Over the last...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Rediscovering the Lasting Appeal of American Primitive Music | 11/7/2008 | See Source »

...distinct geographical flavors running beneath the surface of the album. The Knux show off both their past New Orleans roots and their present L.A. outlook in seductively smooth jazz interludes mingled with multilayered club beats and improvised piano segments that sit harmoniously with the jerky twangs of an electronic guitar. The rapping itself isn’t as impressive as the new overall flavor of hip-hop, and sometimes the unnecessary crudeness of the lyrics actually detracts from the freshness of the background sounds. In other songs, the lyrics are simply nothing special: for example, “Cappuccino?...

Author: By Jenny J. Lee, CRIMSON STAFF WRITER | Title: The Knux | 11/7/2008 | See Source »

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