Word: gull
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...Twilight on the New Jersey Coast might be described as a vision of the archetypal summer sea. Vast and lonely, the painting is devoid of human life. Gently lapping breakers touch the shore, and on the far horizon is a lone ship. On a small patch of beach a gull inspects some flotsam. The ocean is the Atlantic, but it could just as easily be the Indian, the Pacific, or Homer's wine-dark Aegean...
...fact, far more accomplished; The Sea Around Us and The Edge of the Sea were basically beads -of fact strung on a thread of prose that often strained for poetic effect.) Unlike Miss Carson, however, Russell is not a sentry on the ecological DEW line. His books, Argen the Gull, Watchers at the Pond...
...Platonov and Ivanov, for instance, Chekhov dramatized an individual, and one tremendous performance can bring them off. From The sea Gull on, however, Chekhov was portraying a group; a star or two will not suffice. Here Chekhov has done away with the clear spine that drives through the play from one exciting event to another, from one "sock on the jaw" (Chekhov's phrase) to another; he has turned his back on the technique of say, Ibsen and Strindberg. He has, in effect, turned from the solo concerto with orchestra to the more subtle and contrapuntal interplay of chamber music...
...FRIEND, OBADIAH, by Brinton Turkic (Viking; $3.95). A sequel to Obadiah the Bold, the book shows the friendship between a sea gull and a young Quaker boy on the island of Nantucket. Splendid watercolor and pencil illustrations...
Chekhov called The Sea Gull a comedy, but any traces of wit have been pretty well destroyed by Lumet's lumbering technique. The actors perform as if they were all on the verge of a nervous breakdown. Only David Warner as Konstantin and some of the supporting players-notably Harry Andrews, Denholm Elliott, Ronald Radd and Kathleen Widdoes-effectively explore the full dimensions of their roles. Lumet moves his camera incessantly to give the illusion of action, but uses fadeouts to duplicate the curtain falling at the end of an act. He attempts to preserve the tense theatrical effect...