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...Romeo, Juliet, Antony, Cleopatra, Othello and Brutus were suicides. Suicides also resolved Hedda Gabler, The Wild Duck, The Sea Gull...

Author: /time Magazine | Title: Cinema: Shorts: Mar. 27, 1939 | 3/27/1939 | See Source »

...long before Vag climbs (mentally)into the cockpit of his sailplane--one of those white gull-winged ones that soar so silently over the countryside, miraculously holding itself off from the sordid earth beneath. Vag shoots into the air, makes use of several tricky thermals, then skillfully maneuvers the ship in a tight spiral under a great heavy cumulus cloud...

Author: NO WRITER ATTRIBUTED | Title: The Vagabond | 11/4/1938 | See Source »

...bleak Gull Rock, at the Shelburne harbor mouth, Alf Kenney had cause to marvel more. A monster tuna took his bait and for 4½ hr. he learned what it is like to be attached to an animated submarine. Back aching, arms numb, slim Alf Kenney stuck it out, killed his fish and when it tipped official scales at 864 lb., received congratulations on a new world record-13 lb. heavier than the North Sea tuna caught in 1933 by Mitchell Henry of England...

Author: /time Magazine | Title: Sport: Pitcher's Tuna | 9/19/1938 | See Source »

Many critics call the turn by glibly referring to The Sea Gull as a tragedy of frustration. But the play is tragicomedy, impaling human foibles as well as hearts. Tender but ruthless, The Sea Gull smiles upon the too-utterly-utter side of the artistic temperament, reflects the conflict between two incompatible generations. It exposes Trigorin's rueful egotism: "On my tombstone," says Trigorin, "they will say: Here lies Trigorin, who was a good writer, but not so good a one as Turgenev." It exposes Nina's swimming-eyed romanticism. Chekhov suggested, though Actor Lunt has not heeded...

Author: /time Magazine | Title: Theatre: Old Play and New | 4/11/1938 | See Source »

Throughout The Sea Gull sounds a deeper note also, telling of human growth and decline. The shallow Trigorin and the histrionic Irina end up playing lotto. But Nina grows, as one superb device reveals: in Act I, performing in a play of Constantine's she speaks his highfalutin but charged lines mechanically; in Act IV she repeats them, makes them live. It is in delimiting his characters without disfiguring them, in acknowledging their souls but questioning their perspective that Chekhov gives to The Sea Gull a kind of ember like glow...

Author: /time Magazine | Title: Theatre: Old Play and New | 4/11/1938 | See Source »

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