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Word: gunn (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...Here, the first of the play's many ambiguities arises--if one is not a careful observer, one can easily be caught believing the play is a feminist re-creation of a sexual harassment suit, especially as the Boss (Scott Gunn '01) speaks of salary raises. Yet the necessity to undermine the play's ambiguities recedes as the experimental nature of the production takes hold...

Author: By Nikki Usher, CONTRIBUTING WRITER | Title: Machinal: Story of a Shocker | 12/10/1999 | See Source »

...Helen leads the audience through her honeymoon. In the sterile hotel, she faces her boss-husband with contrived fear that appears self-consciously artificial and mechanic. Gunn does not negotiate the production's tension as well as Agresta; his dialogue occasionally weaves emotional cadence into a part that ought to be strictly mechanical...

Author: By Nikki Usher, CONTRIBUTING WRITER | Title: Machinal: Story of a Shocker | 12/10/1999 | See Source »

...second act is more convincingly mechanical, especially the final scenes of the play. Helen eventually kills her husband, as the audience anticipates, and the court scene that ensues is fabulously orchestrated. Gunn demonstrates considerable talent in controlling his body. As robot-husband, he is eerily mechanical and almost reminiscent of an Edward Scissorhands figure. Parris and Agresta, both lawyers, reflect the insensitivity and detachment that the law has for human emotion. The bright lighting illustrates a sense of barrenness, and the media, Montoya and Gomes, again engage in their convincing double dialogue and contribute to the scene's mechanical intention...

Author: By Nikki Usher, CONTRIBUTING WRITER | Title: Machinal: Story of a Shocker | 12/10/1999 | See Source »

...Machinal's flirtation with experimental theater achieves its completion in the last scene. The costuming is radical; both Parris and Agresta, executioners, are dressed in metallic-punk-dominatrix suits, and Gunn, the priest, wears a silver robe. The sense that all dialogue is a voice-over creates the impression that the actors are merely odd configurations of marionettes. In this scene, people have fully transformed into machines. Helen's appeals for mercy seem to be almost rays of light bouncing off the darkened stage, for she is the only lit figure. Suddenly, strobe lights destroy the darkness, and the execution...

Author: By Nikki Usher, CONTRIBUTING WRITER | Title: Machinal: Story of a Shocker | 12/10/1999 | See Source »

...other end of the ice, Wisconsin freshman goaltender Chanda Gunn was standing on her head. Harvard failed to score in the first two periods as Gunn made 27 saves, almost single-handedly keeping her team in the game...

Author: By Zevi M. Gutfreund, CRIMSON STAFF WRITER | Title: No. 1 W. Hockey Cruises in Opening Weekend | 11/9/1999 | See Source »

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