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...SHAME. Ingmar Bergman examines war and the artistic conscience in his 29th film. The visual imagery is brilliantly desolate, and the performances-by Max von Sydow, Gunnar Bjornstrand and Liv Ullman-are orchestrated with precision...

Author: /time Magazine | Title: Time Listings: Feb. 14, 1969 | 2/14/1969 | See Source »

...nations of the Middle East greeted the new move warily, since direct big-power participation in the search for a settlement will inevitably bring weight to bear on them to make concessions. Israelis took some comfort from the avowed U.S. intention to bolster the mission of U.N. Special Representative Gunnar Jarring, and expected no change in Washington's support for a "contractual" rather than an "imposed" solution. But they did worry that the U.S. would seek to influence Israel to vacate the conquered Arab territories. "We may find ourselves faced by political pressures of a nature never encountered during...

Author: /time Magazine | Title: World: THE MIDDLE EAST: COMMITMENT AND RESISTANCE | 2/14/1969 | See Source »

...SHAME. Ingmar Bergman examines war and the artistic conscience in his 29th film. The visual imagery is brilliantly desolate, and the performances-by Max von Sydow, Gunnar Björnstrand and Liv Ullman-are perfectly orchestrated...

Author: /time Magazine | Title: Television, Theater, Cinema, Books, Fiction, Nonfiction: Feb. 7, 1969 | 2/7/1969 | See Source »

...SHAME. Ingmar Bergman's 29th film is a tonal allegory involving a nameless war, a broken marriage and existential doubt. The performances by such Bergman regulars as Max von Sydow and Gunnar Bjornstrand are letter-perfect, but Liv Ullman, newest member of the Bergman company, portrays the spectrum of feminine response with special brilliance...

Author: /time Magazine | Title: Television: Jan. 31, 1969 | 1/31/1969 | See Source »

Monday, 3 p.m.: Danish-born Pianist Gunnar Johansen, 63, gets a phone call at the University of Wisconsin, where he has been artist-in-residence since 1939. Boris Sokoloff, manager of the Philadelphia Orchestra, is on the line. Conductor Eugene Ormandy and Pianist Peter Serkin have disagreed on the interpretation of Beethoven's Piano Concerto in D Major, which Serkin was to play with the Philadelphians in Manhattan's Philharmonic Hall the following evening. Could Johansen fill in? Johansen has never even heard the piece, a little-known transcription by Beethoven of his only violin concerto. He dashes...

Author: /time Magazine | Title: Pianists: Diary of a Miracle | 1/24/1969 | See Source »

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