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...PASSION OF JONATHAN WADE. One of the few masters of American opera (Susannah), Carlisle Floyd sets his tragedy in Columbia, S.C., just after the Civil War at the savage start of Reconstruction. Sets by Gunther Schneider-Siemssen. At the Houston Grand Opera...

Author: /time Magazine | Title: Critics' Voices: Jan. 28, 1991 | 1/28/1991 | See Source »

Charles Mingus: Epitaph (Columbia). Composer-musicologist Gunther Schuller leads an all-star big band in a definitive live performance of the monumental suite -- raw, raucous and richly textured -- by a pioneer figure of modern jazz...

Author: /time Magazine | Title: Best of '90: Music | 12/31/1990 | See Source »

...classical stage that Wynton first made his mark. In addition to playing at NOCCA-sponsored concerts and recitals, he became a regular performer with the New Orleans Civic Symphony, the New Orleans Philharmonic and the Philharmonic's touring brass quintet. Composer and conductor Gunther Schuller vividly remembers the time Wynton showed up at New York City's Wellington Hotel in the summer of 1978 to audition for the Tanglewood Music Center, of which Schuller was artistic director. After impressing the judges with his virtuosity on the Haydn trumpet concerto, Wynton offered to play Bach's extremely difficult Second Brandenburg Concerto...

Author: /time Magazine | Title: Wynton Marsalis: Horns of Plenty | 10/22/1990 | See Source »

This botched masterwork is titled Epitaph, and its composer was Charles Mingus, the protean jazz bassist who died in 1979 at age 56. "There has been nothing like it in jazz, before or since," says Gunther Schuller, the multifaceted composer, conductor and musicologist who edited the score, which was discovered among Mingus' papers after his death. Schuller directed a proper world premiere of the work at New York City's Lincoln Center last year. (CBS has issued a recording of the performance.) He was at the podium last week for another Manhattan performance, which was to be reprised...

Author: /time Magazine | Title: Music: An Epitaph Comes Back to Life | 9/10/1990 | See Source »

...blues to Ellington-like mood pieces to cacophonous yawps, the work is scored for a 30- piece band. It was performed once in Mingus' lifetime, haphazardly. This live recording comes from Epitaph's real world premiere, at New York City's Lincoln Center last June. Composer and jazz historian Gunther Schuller led an all-star cast that included six musicians Mingus originally chose to play the work. The vivid result resembles its creator: difficult but dazzling...

Author: /time Magazine | Title: Critics' Voices: May 7, 1990 | 5/7/1990 | See Source »

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