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With the exception of one Workshop professor who sang the role of Gurnemanz, the singers were all graduate and undergraduate students of the university. To lighten the singing load (and share the experience), there were two Parsifals and two Kundrys. A standout performance: that of Tenor Guy Owen Baker, 27, a veteran of all three Bloomington Parsifals, who sang the title role in Acts...

Author: /time Magazine | Title: Music: Wagner in Indiana | 3/26/1951 | See Source »

Last week world-famed, 48-year-old Basso Kipnis finally made his Metropolitan debut. Bearded and berobed in the usually boresome part of Holy-Grailer Gurnemanz in Wagner's lengthy Parsifal, Kipnis stole the show from Soprano Kirsten Flagstad, acted not only with his face and hands but with his voice as well. When Basso Kipnis was through with him, Gurnemanz had passed from muscle-bound youth to tottering old age without missing a footstep, and critics assured one another that a finer Gurnemanz had not been seen in a generation...

Author: /time Magazine | Title: Music: Noble Gurnemanz | 1/15/1940 | See Source »

...acting of Frida Leider carried a Chicago audience reverently through Wagner's famed Temptation Scene wherein Parsifal, purest of fools, resists and reforms her. No one denied that Frida Leider had able assistance from a good cast that included René Maison as Parsifal and Alexander Kipnis as Gurnemanz. from Maestro Egon Pollak's orchestra, from a reverent audience that had bought every one of the 75?-$4 seats.* But so well did she sing & act that most of those who saw & heard her were far more interested in Kundry's screaming, crawling, writhing, seducing, sobbing than...

Author: /time Magazine | Title: Music: Chicago's Parsifal | 12/28/1931 | See Source »

Next day's Parsifal was orchestrally poignant, lyric. Slower than most was Toscanini's tender reading. A magnificent Gurnemanz (Basso Ivar Andresen of the Metropolitan), a poetic Parsifal (Tenor Fritz Wolff), a comely but vocally insecure Kundry (Soprano Elisabeth Ohms), sang their way through Wagner's leisurely, sometimes philosophically turbid drama. The sets "dated from 1882 and looked...

Author: /time Magazine | Title: Music: More Fun | 8/3/1931 | See Source »

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