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Andrew Undershaft (Philip Bosco) is a munitions magnate. Having renounced his family some 20 years before, he suddenly descends upon them. His wife Lady Britomart (Rachel Gurney) is the same socially ingratiating charmer she always was. Undershaft finds his son Stephen (Nicholas Walker) a simp of propriety, and to his dismay learns that his mettlesome daughter Barbara (Laurie Kennedy) has become a devoted minion of the Salvation Army. Her adoring shadow is Adolphus Cusins (Nicolas Surovy), an elitist teacher of Greek. When Undershaft taunts him as "Euripides" and Cusins flings back "Machiavelli," the tycoon is rather taken with the scholar...

Author: /time Magazine | Title: Theater: Blood and Fire | 3/17/1980 | See Source »

...Farrell 3 1-2 7; Gurney 2 0-0 4; Colletta 7 2-2 16; Dooley 2 3-4 7; Haigler 0 4-5 4; Dankos 2 2-3 6; Murray 1 0-0 2; Neville 5 11-51 21; Rogers 1 2-2 4. Totals...

Author: By Jeffrey R. Toobin, | Title: Crimson Drops Cards | 12/1/1979 | See Source »

Jerome Buckley, Gurney Professor of English Literature, was visiting friends on Kirkland St. where his hosts warily eyed the Crimson reporters who came to call. "Well, I guess we're all little kids at heart," the woman who answered the door said, doling out gumdrops and describing the neighborhood's costumes...

Author: By The CRIMSON Staff, | Title: Trick or Treat Serious for Faculty | 11/1/1979 | See Source »

...going to be the equal of its British imports-but when? After watching public television's adaptation of three John Cheever stories, one is tempted to despair. Here, it seems, PBS had a sure shot. The scripts are by outstanding playwrights: Wendy Wasserstein (Uncommon Women and Others), A.R. Gurney...

Author: /time Magazine | Title: Television: Lost Souls | 10/29/1979 | See Source »

...Cheever's subtleties into middle-brow platitudes. In O Youth and Beauty!, Michael Murphy plays a onetime Princeton track star, now a bank executive, who vexes his wife (Kathryn Walker) by jumping over furniture at cocktail parties. Not content to let this conceit speak for it self, Playwright Gurney supplies dialogue to explain that the hero is "surmounting the obstacles of middle age . . . [by] leaping above the paraphernalia of middle-class life." In The Five-Forty-Eight, a dance of death between a married man (Laurence Luckinbill) and his jilted lover (Mary Beth Hurt), the story's psycho...

Author: /time Magazine | Title: Television: Lost Souls | 10/29/1979 | See Source »

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