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...when I am alone in my room, when there is nobody there? I am very lonely. I want to be in somebody's pocket, to be taken care of." She stops and shakes her head, letting her long blonde hair swirl around her like leaves in a sudden gust. "But then I want to be free...

Author: /time Magazine | Title: Just an Ordinary, Extraordinary Woman | 12/4/1972 | See Source »

...January issue of Foreign Affairs, Jean-Claude Pomonti, Le Monde's correspondent in Southeast Asia, discusses the political and military situation in South Vietnam. Pomonti believes that South Vietnamese public opinion is not quite at the point at which, after a gust of "fresh political and social turmoil," it will cast off its American-installed leaders in favor of a new regime that will truly satisfy its nationalistic urges...

Author: By Jim Blum, | Title: Reality and Appearance | 1/13/1972 | See Source »

...Libby, in B-division, sailed well but was twice the victim of disaster. In the first race, Middendorf lost a rudder and his second place finish shortly before crossing the line. In the next race, finding himself in first place ten yards before the finish, he capsized. With the gust of wind, first place and the Hoyt trophy slipped through Crimson slippery hands. Harvard finished third behind Tufts...

Author: By Tom Crane, | Title: 'Cliffies Win in Sailing, Losses Plaque Harvard | 10/20/1971 | See Source »

...will be his wife Sonia. 38, a striking blonde who at 5 ft. 9 in. stands two inches taller than her husband. The evening before McMahon's victory, a photographer caught Sonia descending the stairs from Canberra's Parliament House just as a fortuitous gust of wind caught her high-slit black crepe maxiskirt. "The wind blew at the wrong moment," said Sonia. Not necessarily. Some observers suggested that the resulting thigh-high picture might well have swung a few votes in McMahon's favor...

Author: /time Magazine | Title: AUSTRALIA: Fall of the Larrikin | 3/22/1971 | See Source »

...this bastardization were not sufficient, a robust Lady Soul-like rendition of Let It Be swells through the theatre on the "exit" line. The play also opens with a recording of Let It Be, flooding the Loeb like a gust of Ban. Because Scott's show opens and closes so similarly, the play derives a structure which its content denies, it resolves issues which ought to remain at loose ends, and it manufactures corrugated conclusions where there should remain the gnawing anxieties of ambiguity. And what can Let It Be possibly have to do with Waiting for Godot? The voice...

Author: By Martin H. Kaplan, | Title: No Headline | 7/10/1970 | See Source »

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