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...Philip Guston...

Author: /time Magazine | Title: Art: 102 PAINTERS TO WAX ENTHUSIASTIC ABOUT | 7/6/1962 | See Source »

Guggenheim Museum ever put on view at one time, some observers might wonder just how it got to be so famous. Since its original commitment was to nonobjective art, it is about 80% abstract, but even in its chosen field, its omissions-Mark Rothko, Clyfford Still, Philip Guston, Robert Motherwell. to mention only a few-are glaring. Nevertheless, the corkscrew museum's new director. Thomas Messer, last week put on a show from the collection that was a delight from the third spiral to the ground floor: an exhibition of the museum's ''old masters...

Author: /time Magazine | Title: Art: Fresh Old Masters | 9/8/1961 | See Source »

...Kunsthalle were back where dapper, 63-year-old Dotremont could vibrate to them. In addition to European moderns such as Dubuffet and Mathieu, there was a great acreage of Americans, notably Mark Tobey, Adolph Gottlieb, Mark Rothko, Willem de Kooning, Clyfford Still, Franz Kline, Robert Motherwell, Philip Guston, Joan Mitchell, Dotremont's canon: "Every painter turns out hundreds of works in his lifetime. I try to pick the masterpieces...

Author: /time Magazine | Title: Art: Buying American | 8/11/1961 | See Source »

Smith and Abstract Expressionist Philip Guston. Both finished out of the big prize money. But as a whole, the exhibition proved that the modern, peculiarly American idiom of abstract expressionism has become the lingua franca of art the world over. Murky and only half articulate, it is nevertheless spoken everywhere. The idiom has plenty of champions, and may yet find its poet...

Author: /time Magazine | Title: Sao Paulo Harvest | 10/5/1959 | See Source »

...Philip Guston: "Only our surprise that the unforeseen was fated, allows the arbitrary to disappear. The delights and anguish of the paradoxes on this imagined plane resist the threat of painting's re-ducibility...

Author: /time Magazine | Title: Art: What Is? | 8/10/1959 | See Source »

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