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...advance guard is advancing in a number of different directions at once, and swiftly outrunning the abstract-expressionist formula. The variety of the paintings shown here-from De Kooning's gustiness to Guston's coolness-is in itself a strong indication of the movement's vitality. And even the uncaring observer will somehow prefer one picture lo another, which proves that they do project certain qualities-whether ugly or beautiful. None is a mere nothing...

Author: /time Magazine | Title: Art: The Wild Ones | 2/20/1956 | See Source »

Last week an ex-conservative named Philip Guston gave an answer of sorts. Painter Guston's reputation is solidly based on complex still lifes and figure paintings. His tame, placid portrait of a plump-armed girl won top honors at the 1945 Carnegie exhibition of U.S. painting. Three years ago, Guston turned his back on easy success, joined the abstractionist ranks. His latest exhibition in a Manhattan gallery features huge canvases thinly blotched with pale colors, and greyish ribbons of paint trailing, snail-like, over slush-hued backgrounds. His sketch for the exhibition catalogue, an apparently random doodle...

Author: /time Magazine | Title: Art: One Explanation | 1/7/1952 | See Source »

...Guston grew unhappy because he felt he was "just making pictures. I was overly conscious of what I was doing. Art isn't meant to be clear. Look at any inspired painting-it's like a gong sounding; it puts you in a state of reverberation . . . Toulouse-Lautrec's art isn't just pictures of dancing girls and cabarets; it projects some sort of internal world. And you couldn't exactly call Ucello an abstractionist. But he has the ambiguity I like...

Author: /time Magazine | Title: Art: One Explanation | 1/7/1952 | See Source »

...students have not yet matured enough to influence U.S. art, but such established American painters as Jack Levine and Philip Guston demonstrate in their work the weight of Beckmann's example. The 100-odd Beckmanns now in U.S. collections are proofs of his rough strength, show the continued power of expressionism as a philosophy...

Author: /time Magazine | Title: Art: Rough Power | 4/16/1951 | See Source »

...conservative jury of museum directors gave $1,000 top honors to long-faced, Canadian-born Philip Guston, now an art instructor at St. Louis' Washington University. His Sentimental Moment is a sentimental study of a plump-armed, dreamy girl for which he used no model. "I simply had it in my mind and transferred it to canvas." Guston, who is 33, was a factory worker and a truck driver until WPA came along and gave him a full-time chance to work at art. Of his Sentimental Moment, the New York Times's ponderously judicious Edward Alden Jewell...

Author: /time Magazine | Title: Art: Prizewinners | 10/22/1945 | See Source »

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