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SMOKE RINGS AND ROUNDELAYS?Selected by Wilfred Partington?Dodd, Mead ($2.50). Some hold that Old King Cole's wide reputation as a ban vivant rests largely upon the gusto with which, in enumerating his postprandial wants, he demanded, first of all, his pipe. The bowl, the fiddlers three were afterthoughts. Such persons belong to the Old Jimmy-Pipe Club, a somewhat fatuous association fostered chiefly by columnists, mass advertisers and female novelists desirous of articulating Big He-Men; for, since Cole's day, tobacco has sunk to a low place in literature. The cigar usually proceeds from the stained teeth...

Author: /time Magazine | Title: Life | 4/13/1925 | See Source »

...Bellows was blithe. He smacked his lips over life. In Art, he belonged to the school of gusto. Wharf-rats, city parks, snowy clustered roofs, great clumping dray horses, seamy faces of dock laborers, pale ladies, prizefighters, gentle landscapes-he painted all with the impulse of a poet and the hand of a realist. To form he gave a significance from which modernists shrink because it is obvious, conservatives because it is daring and which many art-lovers admire because it is both...

Author: /time Magazine | Title: Art: Bellows | 1/19/1925 | See Source »

...concern of a formalist who takes you among men to show you the shapes of their minds, their ideas, their words and how they use them, their manners and how men are revealed therein. Being vigorous and Irish, he walks close beside you, pointing here, there, with nervous, witty gusto. Being excessively sensitive and shy, he hides himself behind a mask of erudite satire whenever he is the least suspicious that your attention is not riveted on something or some one other than himself. Or, being enormously proud of this mask, which is really most impressive, he puts...

Author: /time Magazine | Title: Books: A Formalist | 1/5/1925 | See Source »

...silly ass and arch girl sort, the players were usually above the manuscript. On the star's performance adjectives were tossed in an enthusiastic heap. He was furnished with opportunity to love, hate, eat, drink and die. These elemental attributes he interpreted with a gorgeous gusto, a decisive individuality which made the part one of Mr. Arliss's best since the days he did Disraeli...

Author: /time Magazine | Title: The Theatre: New Plays: Jan. 5, 1925 | 1/5/1925 | See Source »

America's first view of him-hitherto his fear of seasickness kept him in Europe-was of a hearty man, with great gusto and joy of life, keen enough to dodge political questions about Ibanez, "I don't paint that kind of a portrait" King Alfonso, Primo Rivera. No, indeed; he would talk about the popularity of Belmonte, Spain's great bull fighter now in Peru and coming soon to the U. S., Belmonte whom he has painted three times. He would say tactful things about U. S. art, such as: "Your artists have more talent than...

Author: /time Magazine | Title: Zuloaga | 12/29/1924 | See Source »

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