Word: gutterally
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Recognizing the pragmatic bent of Japan's increasingly affluent younger voters, even the tiny Communist Party -which went from four to 14 seats -downplayed dogma and emphasized inflation, air pollution and the need for more dobuita (gutter lids) in the streets. The Socialists, by comparison, trotted out unfamiliar, underfinanced candidates whose chief ideological equipment was a militant 19th century Marxism. Foreign policy? The Socialists demanded "unarmed neutrality" so loudly that voters identified the party with the antiwar students who tore up Tokyo last October. Domestic policy? The Socialists called for nationalization of industry -just as employers were handing...
...with the Rev. Hanson and four of his supporters. This quintet aimed most of its artillery at the second book, The Emperor of ice-cream. Particular objection was voiced (1) to the protagonist's "irreverent" references to a statue and to his mother's religious values; (2) to the "gutter language" and reference to various anatomical organs: and (3) to two admittedly unconsummated sexual scenes that, it was felt, "could not help but sexually arouse children and adults alike...
...WHISTLE IN THE DARK has the raw, roiling energy of life observed with an exactitude that defies disbelief. The Carneys are a pride of Irish gutter lions, bred to the tooth and claw, who move into the home of the only brother who has tried to flee their world of lacerating animal instinct. The performances are all labors of skill and love, and Arvin Brown's deft direction is full of silent music...
...pressure points of that crisis is the family. The Carneys are a pride of Irish gutter lions. The father is a drunkard, a bully and a braggart. When his boys were small children, he routed them out of bed at 2 or 3 a.m. and set them to clouting each other till they collapsed. Bred to the tooth and the claw, three of the sons live as pimps, louts and barflies. A fourth son, Michael, flees this world of lacerating animal instinct. He settles in Coventry, marries an English girl and opts for a life of decency, order and reason...
They came into the audience at the end of the evening and asked to be loved. And the Loeb audience, the bourgeoisie and its offspring, did seem to love these metamorphosed gutter rats from New York. Partly this was because they had entertained us, and for that we stood to applaud. They had taken milk crates (their only set or props) and marched with them straight into ballet. And they had externalized the tenseness of their maladjustments into the tension of drama...