Word: guttered
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Miramax has always had a genius for picking films. Sometimes it picks them out of the gutter. The Miramax tactic: find a pretty orphan, take it home, dress it up and show it off. When TriStar said no to Pulp Fiction, the Weinsteins eagerly said yes and snagged their biggest hit ever. Last year 20th Century Fox backed out of The English Patient just before the film was to begin shooting. Instead Fox pinned its Oscar hopes on another sweeping morality play, The Crucible--only to see it swept away, at the box office and in the Oscar race...
Even Democrats were crying foul. "It was the worst sort of gutter politics and gay baiting," says Bob Fitrakis, Kasich's 1992 Democratic opponent. And the gay community in Kasich's congressional district also sensed an invitation to gay baiting. "It's disappointing to see it from a party that has been the most progressive on the issues," says Phil Martin, president of Stonewall Union, Ohio's largest gay-rights organization, which counts Ruccia as a member...
...damned handsome woman. But so far as this movie is concerned, not a very sexy one, says TIME's Richard Schickel. Writer-director Andrew Bergman presents her as a rather abstract object of desire. He wants us to know that his mind, at least, is not in the gutter. The film places Moore's character, a stripper named Erin Grant, in a nasty fight to regain custody of her daughter from a creepy former spouse, which in turn involves her in the murderous machinations of corrupt rich people. But it forgets to explain persuasively what a nice girl like Erin...
...much hyped new memoir, Drinking: A Love Story, 37-year-old journalist Caroline Knapp unravels her tumultuous past life as a "high-functioning" alcoholic. The term is one she borrows from A.A. parlance, and it refers to the sort of boozer who lives well above the gutter, getting good grades at fine colleges, meeting deadlines, summering on Martha's Vineyard. Like most writers and filmmakers who have chronicled the middle-class drinking life, Knapp writes from the prevailing modern perspective that alcoholism is another challenge to be surmounted, a demon to be confronted, a battle...
...this movie is concerned, not a very sexy one. Writer-director Andrew Bergman presents her as a rather abstract object of desire. He wants us to know that his mind, at least, is not in the gutter--can't afford to waste time there, given the amount of busy work he has to attend. This largely derives from the complexities of novelist Carl Hiaasen's quite faithfully followed plot. It places Moore's character, a stripper named Erin Grant, in a nasty fight to regain custody of her daughter from a creepy former spouse, which in turn involves...