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Word: gutting (lookup in dictionary) (lookup stats)
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...know yet.' What a relief. You may not even want a career. You may want a job and something else: more time for yourself, more time to write, paint, explore, create, have babies, stay home . . . The hardest thing you will ever have to do is to trust your own gut and find what seems to work...

Author: /time Magazine | Title: Education: A Few Words Before Going Forth | 6/9/1986 | See Source »

Jerome Bruner exposed us to the foreign land ofthe inside of the mind as social relations grewfrom a "gut" course to riveting new knowledgewhich would last long in its impact on our dailylives...

Author: By Charles DUFORT Ravenel, | Title: That Was the College Then, This Is Now | 6/2/1986 | See Source »

...true. I don't have any record of past decisions except being a candidate. But I don't think I am an enigma. I am not a traditional politician. So whatever I say is what I mean; it is not something else. I think I should follow my gut feelings. However, I still have to learn not to be too frank, not to give the truthful answer right away. I have these men around me who are just so overprotective. They say, "Should we let her speak...

Author: /time Magazine | Title: I Am Learning to Say No | 5/26/1986 | See Source »

YOSHIKI HISHINUMA, 27, is an anomaly. His clothes, rendered in magisterial folds of fabric and silhouettes that wed high drama to gut-level rock-'n'-roll spirit, appear to Western eyes to be the most formally Japanese. They have the reckless ebullience of decade-old Miyake, and they use the sort of unconventional material (like fishing line) that has been associated with the cutting edge in Tokyo. You can buy them in New York and Chicago, Hong Kong and Kuwait, but, Hishinuma says with some bemusement, they are "avant-garde and not very commercial," so they are not for sale...

Author: /time Magazine | Title: Living: Showroom At the Top | 5/19/1986 | See Source »

...madang-gut, literally, "openyard festival," has been compared by western critics to the epic drama of Brecht, in its recovery of neo-primitivism as the starting point of "experiemental" drama. Brecht's influence is especially evident in the elimination of the stage. Instead, the audience participates in the illusion. The drama begins with an appuri, an opening act whose typical function within the epic form, as Marxist critic George Lukacs observes, is to create "the sphere of life" where "a loosening of the bonds that tie men and objects to the ground" can spontaneously occur...

Author: By Hein Kim, | Title: Far From Home | 4/18/1986 | See Source »

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