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...dreams, where you feel graceful and defy gravity. At the rear of the stage there's a three-story bandstand, which goes unnoticed until one of the chorines dives from its top, maybe 40 feet high, into a soft tarpaulin held by the burlier performers. A girl and a guy demonstrate that giant beach balls are not for throwing but for dancing on: Fred and Ginger, live, with no missteps. Then the guy on the ball puts another ball on his head, and the girl climbs up to stand on that. It's body art of nearly the highest order...

Author: /time Magazine | Title: Cirque du Soleil's Clowning Kooza | 4/25/2009 | See Source »

...eventually driven away by the violence. Finding RH and the DIY scene it supports has brought him back. “There is definitely a different sense of urgency, of passion, of spirit to it that isn’t there in this fake hardcore, this tough guy stuff,” he says...

Author: By Patrick R. Chesnut, CRIMSON STAFF WRITER | Title: Hardcore Harvard | 4/24/2009 | See Source »

...Espada chuckles as he recounts overhearing a cell phone conversation in which a passer-by said, “Oh yeah, I’m outside Mem Hall, right outside the Science Center, where 9/11 Guy...

Author: By Sami M. Khan, CONTRIBUTING WRITER | Title: Staffer Seeks 9/11 Truth | 4/24/2009 | See Source »

It’s the senior thesis that people will actually see, even if for the first time at the Tribeca Film Festival in New York City. “Guy and Madeline on a Park Bench,” written and directed by Damien S. Chazelle ’07-’08, is his first feature-length film. Chazelle originally conceived the movie on a considerably smaller scale but expanded the project after receiving an Artist Development Fellowship (ADF) in 2007. “Guy and Madeline on a Park Bench” was primarily shot...

Author: By Eunice Y. Kim, CRIMSON STAFF WRITER | Title: Student Work Featured at NYC Tribeca Film Festival | 4/24/2009 | See Source »

...finished novel, though, which sends protagonist Patrick Bateman—a 1984 graduate of Harvard College and a 1986 grad of the Business School—on a slasher rampage up and down yuppie Manhattan.Bateman is a true psychotic for sure, but he’s a guy-next-door, red-blooded-American psychotic. His mania is success, his bloodlust is greed, and his pathology is passing. There was a Patrick Bateman—levered back in his chair, feet up on the desk, Walkman blaring—in every office of every building in Lower Manhattan.Vintage eventually picked...

Author: By Jillian J. Goodman, CRIMSON STAFF WRITER | Title: The Informers | 4/24/2009 | See Source »

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