Word: guzetti
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...integrated video and live performance.” The project, entitled “Username: Faust,” heavily utilized YouTube and other Internet components to convey a virtual reality world that replaced the spiritual realm of the original Faust myth. Miller praises his adviser, VES Professor Alfred Guzetti, for being open to the use of new media. “[Professor Guzetti] was really interested in learning it and sort of exploring it alongside me,” Miller says...
...virtual reality. It’s also negotiating disability and non-disability. And the piece itself is dealing in theater and cinema.”“It’s incredibly original and adventurous in every respect,” Visual and Environmental Studies (VES) professor Alfred Guzetti, Miller’s thesis advisor, says. “It’s trying out so many things at the same time—the actors, the development of the script with the actors, the improvisations that went behind it, the staging, the combination of music with drama...
...there should be," McElwee believes that this "objective" concept of the documentary is changing. "People are branching out while still relying upon an experience in reality intersected with the camera." "First," he says there was the "movement of cinema verite with people like [Harvard professors] Robert Gardner and Alfred Guzetti." Gardner has explored the cultures of Africa and India while trying not to impose his presence onto the culture. Guzetti has made films about his own family...
Other members of the committee are Jerome H. Buckley, professor of English, John P. Russo '65, assistant professor of English, Alfred F. Guzetti '64, assistant professor of Education and Visual Studies and Louise Vosgerchian, professor of Music...
...never interrupt the action. The technique works best in the scene between Aufidius and his Lieutenant. Babe plays only half the scene on stage, the second half on the film soundtrack: the stage blacks-out and we watch Coriolanus of film, still listening to Aufidius talk about him. Alfred Guzetti's camerawork on these clips is, in context, superb. Following the Peter Brook style of the film of Marat/Sade, Guzetti aims into lights, moves into faces, and exploits claustrophobia, creating a handsome chaos which supports Babe's pacing and the pervasive feeling of tension...