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...certain amount of forebearance. Its message (improving the lot of the Negro) is treated naively, and its solution (education) is somewhat simplistic. Treemonisha works for an audience of today because Joplin kept his touch light despite heavy use of dialect ("No, dat bag you'se not gwine to buy, 'cause I know de price is high"). His is a fable that James Thurber might have appreciated...

Author: /time Magazine | Title: Music: Scott Joplin: From Rags to Opera | 9/15/1975 | See Source »

Other refinements abound. "There's no way in 1974 we could give a black man the precise dialogue Twain gave him," commented co-Scenarist Richard Sherman. "First of all, nobody in the audience would understand him if he used the stereotypical dialogue-'Ah's gwine down de ribah'-so we had to handle the language and the attitude. We had to sustain the dignity of the man." He and his brother Robert proceeded to elevate the slave's image by altering his name (he is Nigger Jim no longer, just plain Jim) and giving...

Author: /time Magazine | Title: Cinema: Pasty Taste | 6/17/1974 | See Source »

...matter who dey is, Nat, good or bad, even ol' Marse Joe, dey white folks day gwine make you feel black-assed. Never seed a white man smile at me befo'. How come dat 'plies, Nat? Figger a white man treat you right you gwine feel white-assed. Naw suh! Young Massah, old massah sweet-talk me, I jes' feel black-assed th'ough and th'ough. Figger when I gets to heaven like you say I is, do good Lord hisself even He gwine make old Hark feel black-assed, standin' befo' de golden throne. Dere He is, white...

Author: By Boisfeuillet JONES Jr., | Title: The Outrage of Benevolent Paternalism | 10/13/1967 | See Source »

...argue, was as good as many an imported classic. When critics roasted him for including Old Man River in a program of operatic excerpts, he responded by including it in almost every recital he sang after that. He also laced his concert programs with popular tranquilizers-De Glory Road, Gwine to Hebb'n, At Dawning. Tibbett probably made more money than his contemporaries because he was the first to exploit the box-office glitter of the Met's name in the world of show business-a practice that Rudolf Bing later frowned upon. He became...

Author: /time Magazine | Title: Music: Opera's Grand Trouper | 7/25/1960 | See Source »

...happy cause dey was gettin mighty tired flapping deah wings and was hoping de Lawd would install automatic air-conditioning. "Hmmm," say de Lawd again, "De old Piety Test has got to go. Wid de permission of de Boa'd, ah'd like to pass a miracle. Dis is gwine be a restricting miracle on de Piety Test Rules, Miracle I, Section fifty-nine: 'Salvation by piety, dat is our aim.' Let de clause now read: 'Salvation by piety and extra-curricular activities, dat is our aim.' Ah'm gwine to throw a little lightnin bolt now to cleah...

Author: By Calvin Trapp, | Title: Crisis in High Places | 2/26/1957 | See Source »

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