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Faust and Bok’s absences stood in contrast to the practice of Lawrence H. Summers, who spoke at the ceremony each year of his presidency and called for an increased presence of the military on campus, even as he harshly criticized “don’t ask, don’t tell...
Former University President Lawrence H. Summers and Harvard Corporation fellow Robert E. Rubin ’60 were among the participants in a Cabinet simulation that performed a mock response to a major disruption in oil at the Institute of Politics (IOP) Forum last night. = The simulation, called Oil ShockWave, was developed jointly by Securing America’s Future Energy (SAFE) and the Belfer Center for Science and International Affairs at the Harvard Kennedy School. The exercise consisted of a U.S. Cabinet responding to a worldwide oil crisis following terrorist attacks that hampered the global oil supply. The scenario...
...lives of Harvard women. Also discussed were body image issues resulting from specific cultural and racial views. Kimberly N. Foster ’11, a black panelist, said that “in black culture, the thick girl is the idealized girl,” while event organizer Theresa H. Cheng ’08 talked about how Chinese culture focused not only on being pale and thin, but also on the “double eyelid phenomenon.” The double eyelid, which varies in preponderance and degree in Asians, makes the eye appear larger; as a result...
...important to develop a full, complex character,” Kargman says.Kargman has also applied her summer experiences in theater to dramatic life at Harvard. The summer after her freshman year, Kargman worked with the Atlantic Theater Company in New York, a group founded by David Mamet and William H. Macy. After learning their technique of Practical Aesthetics, Kargman petitioned to create a Harvard course on the subject taught by expert Practical Aesthetics technician and ART instructor Scott Zigler. The course began this fall, after two years of work from Kargman.The summer after her sophomore year, Kargman participated...
...small outdoor theater near Longfellow Hall known as the “sunken garden,” manage to keep the attention of a notoriously fidgety demographic. “We just try to focus on making the show kid-friendly,” co-director Alison H. Rich ’09 says. “Everything is bigger and louder and has more ribbons.” Last year’s adaptation of “A Tale of Two Cities” replaced the guillotine with barber’s scissors, echoing the story of Samson...