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Several of the other actors, however, mar the production because of poor voice control and modulation. Since Artaud was given to excessive use of monologue, this problem is especially glating. Elizabeth Philip, who never seems comfortable in the pivotal role of Beatrice, rarely changes her intonation or expression, and her...

Author: By Ira Fink, | Title: Cruelty In Too Many Words | 3/20/1975 | See Source »

Philip Haas has divided the acting space into several areas to reduce the separation between cast and audience, placing extra demands on the lighting. Unfortunately, Ying Wu's design is not equal to the task. Faces are often obscured in blue shadow because the lights are not properly set and...

Author: By Ira Fink, | Title: Cruelty In Too Many Words | 3/20/1975 | See Source »

Viva La Causa! Flora Haas

Author: NO WRITER ATTRIBUTED | Title: FERRARA, CHAVEZ, AND HARVARD UNIONS | 11/23/1974 | See Source »

Only an inspired production could fire this play with enthusiasm of even the most abstract sort. Unfortunately, Philip Haas and his cast are not equal to the task; we remain uncertain from the staging that they have thought much about it. The most interesting issues, such as Squatriglia's position...

Author: By Stephen Tifft, | Title: Pirandellian Calisthenics | 10/24/1974 | See Source »

Ginzburg is a good writer whose novels and short stories are modern Italian classics. The Advertisement won a major prize in France and was well-received in London. The first American production at the Ex does it justice. But director Philip Haas couldn't entirely rescue the play--Ginzburg made...

Author: By Paul K. Rowe, | Title: Misleading Advertising | 2/16/1974 | See Source »

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