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Outraged. That only served to panic the hijackers, who shot and wounded Copilot Billy H. Johnson. Taxiing on nothing but rims wrapped in tattered rubber, the veteran pilot, Captain William R. Haas, 39, miraculously got the plane off the ground. He was again ordered to Cuba, where he set down...

Author: /time Magazine | Title: CRIME: Terror on Flight 49 | 11/27/1972 | See Source »

At the same time. Haas's film succeeds because he is basically robust and tough minded. His fantasy is founded on an understanding of history, and emerges from confrontation with reality--not evasion of it. The entire film, in fact, is based on its hero's attempt to piece together...

Author: By Michael Sragow, | Title: Polish Magic | 11/10/1972 | See Source »

Phantasmagoria is rarely well done in film. Certainly in America the only work which approaches it successfully is 2001--which concerns technology, not humanity. The reason The Saragossa Manuscript works is that Haas sees social reality, when bounded by hypocrisy, to be truly phantasmagorical, and perceives the special logic of...

Author: By Michael Sragow, | Title: Polish Magic | 11/10/1972 | See Source »

Haas has photographed his film in consistent deep focus, in keeping with the solidity of his outlook. This is unlike such Hollywood fantasies as Lost Horizon with generalized backgrounds and soft close-ups. Haas never separates his characters psychology from the social choices that are open to them--and the...

Author: By Michael Sragow, | Title: Polish Magic | 11/10/1972 | See Source »

Auteur critics will probably find Haas's camera angles impersonal and they are, each character being framed only in apt context. What we are sensually drawn by is the terse editing, the stylized settings themselves, and a set of performances impeccably unified in their theatricality.

Author: By Michael Sragow, | Title: Polish Magic | 11/10/1972 | See Source »

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