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Sharp-sighted moviegoers may recognize Moviemaker Haas as a minor character actor who has specialized in heavies and buffoons (King Solomon's Mines, The Princess and the Pirate). In his U.S. debut as a cinematic Jack-of-all-trades, he uses a small cast of faces even less familiar...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 27, 1951 | 8/27/1951 | See Source »

Pickup is a story of an amiable, naive widower (well played by Actor Haas) living out a lonely middle age at a dreary outpost along the railroad tracks. On a visit to a carnival to buy a dog, he meets a calculating blonde floozy (Beverly Michaels), who soon has him...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 27, 1951 | 8/27/1951 | See Source »

The chance comes when Haas goes stone deaf. While his pension is being arranged, the railroad sends a husky young replacement (Allan Nixon) to join him and his wife in the line shack. Haas suddenly regains his hearing in the shock of an automobile accident, but before he can tell...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 27, 1951 | 8/27/1951 | See Source »

Director Haas makes imaginative use of his camera and sound track to bring his story to life. And with Pickup's unromantic, middle-aged hero (a role cut to the measure of France's late Raimu), its sense of character, its tolerance of human frailty and its unglamorous...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 27, 1951 | 8/27/1951 | See Source »

Hugo Haas waited almost a decade before resuming the career of scripter-director-actor that won him a reputation in Europe before World War II. After fleeing Czechoslovakia (and later Paris) a jump ahead of the Germans, he made his way to the U.S. Between a wartime job as an...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 27, 1951 | 8/27/1951 | See Source »

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