Word: habaneras
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With a plastic rose in her teeth, she is suddenly Carmen, doing the Habanera as an English patter song, clicking castanets. "I have to get these adjusted," she says of the castanets. "One is male and the other female. To me, they look much alike, but perhaps you are more discerning than...
...with your own guitar and your own entertainment." This invitation to the arts is part of an advertisement for the Dial-A-Chord, a $12 gadget that enables a fledgling guitarist to change chords at the flick of a plastic wheel and presumably to toss off a habanera at first strumming. Music merchants on their way home last week from their annual convention in Chicago went armed with dozens of such labor-saving and interest-killing devices designed to hook some of the passive listeners from the record market. Among them...
...Steel Hour: Actor-Author Robert Emmett's You Can't Win lost its silly head completely but managed to keep its heart in the right place and a tickly hand on the viewer's funnybone. As he dum-tada-ta-ed the habanera from Carmen ("Greasy cup and dirty plate, I'll wash you up immaculate, da ta") in a café kitchen, Dishwasher Bert Lahr learned, that he had won an Irish Sweepstakes fortune. At last, he and his wife (Margaret Hamilton) could realize a great dream, "the one thing we both want most...
...height of Paris fashion, triumphant on the witness stand; Kay slinking about in skintights, silkily eluding an incipient pinch; Kay staggering under a giant bouquet of sunflowers, hurling herself into a violent off-to-Buffalo; Kay drunk and belching through a lusty diaphragmentation of the Habanera from Carmen ("All ze men, zay want my -ceegarettes"). And always, in every word and gesture, there is the sense of style-the grand, grandstand style that harks back, in the British tradition, to the Restoration theater of manners...
...clearly on the first two words of the title. The script is one of Shakespeare's most fast-moving, anyway; but the directors have pruned it and relentlessly applied the horsewhip until it emerged as a fast, furious and frolicsome western. The lights go down; we hear a habanera; someone dashes down the aisle from the rear of the audience, leaps on stage and fires a rifle. From then on to the end we are swept up in the production's riotously breathless pace. Other characters race down the aisle, in and out of the wings, up and down stairs...