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Word: habitant (lookup in dictionary) (lookup stats)
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...normally good-humored Bandy, the situation is no laughing matter. "These kids are dreaming," he says. "They don't care about property. This is a phony ghetto. These kids confuse filth with poverty. Filth is a habit, not an economic condition. . . We have gone from minority rights to minority rule. When 20 kids can decide where police can or cannot go, that's sick," he says...

Author: /time Magazine | Title: American Scene: The Squatters of Miffland | 11/9/1970 | See Source »

...relationship between the two was not exactly perfect beforehand, however. Princeton had established a winning habit, outpointing the Crimson, 70-0, in the 1924 and 1925 contests. This clear superiority was apparently a bit much for a Harvard student to put up with, and undergraduates here sought an explanation...

Author: NO WRITER ATTRIBUTED | Title: The Day the Tiger Roared And the Tradition Broke | 11/7/1970 | See Source »

...Navy from 1945 to 1948. By the time he was discharged, he had become a good clarinetist and saxophonist, as well as a good lightweight boxer. He settled in south-central L.A., boxed professionally and played in small jazz clubs for two years. He developed a heroin habit, was caught stealing a record player and thrown in jail. From then on, Sonny bounced back and forth between the state pens at Chino, Folsom and San Quentin, with only brief intervals on the street...

Author: /time Magazine | Title: Music: Prison Records | 11/2/1970 | See Source »

Although Harrison's inconsistency is probably more the product of bad blocking than bad running, he will not start Saturday. Teddy DeMars, a sophomore who has made a habit of breaking loose when the second strings battle it out in the final minutes, will take Harrison's place, at least temporarily. DeMars will be the third halfback to try to find a hole in the opposition's defensive line...

Author: By Evan W. Thomas, | Title: Crimson Narrowly Favored Over Quaker Eleven Today | 10/31/1970 | See Source »

...film is, moreover, shot without intelligence. Its longer scenes are in one-and two-minute takes which, without any sense of dynamic blocking, are the most anti-dramatic way going of shooting a scene for a fiction film. In his faster-cut sections Meyer displays the irritatingly consistent habit of going for the easy payoffs in each situation-images of pinball machines, strange models of beasts, and a large Buddha in a game gallery. Even classy settings like the Pan Am terminal at Kennedy fail to give Meyer's compositions anything you'd want to call style...

Author: By Mike Prokosch, | Title: Movies The Sky Pirate at the Orson Welles Cinema | 10/31/1970 | See Source »

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