Word: habitat
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...white and black sifaka has springlike legs that propel it through the forest like a cat, in quiet, arcing leaps. Watching them move is a mesmerizing experience; it's easy to see how well lemurs have adapted to their native forest, and how helpless they must be when that habitat is lost...
...years; as a result, the 587,000-sq-km country, which sits just off the coast of southeastern Africa, has perhaps the highest level of biodiversity per capita in the world. It's what conservationists call a "hotspot" - one of about 25 places on Earth that have suffered massive habitat loss and account for less than 2% of the planet's land surface, but are home to about half the world's plant species and a third of vertebrate animals. Because the vast majority of Madagascar's 2,300 species are found nowhere else on Earth, if a species...
...home to a burgeoning ecotourism trade. On the winding road we see the result of centuries of tavy, traditional slash-and-burn agriculture. The verdant forests that once covered much of Madagascar have been burnt or torn down, replaced by muddy rice paddies and secondary shrubs. This loss of habitat is the primary driver of extinction on Madagascar. The trees support a web of life, from the hefty indri to dazzlingly tiny frogs that fit on your pinky, but deforestation in Madagascar is so severe that the island's soil, unmoored by the loss of the trees, simply slides into...
...villagers to plant new trees on land that had been cleared. The benefit is two-fold: The new forests will earn carbon credits under the Kyoto Protocol, since the trees will sequester carbon dioxide that would otherwise warm the atmosphere, and eventually the forests will help rebuild the disappearing habitat for species like the indri. What's more, the project employs job-hungry villagers and gives them a financial stake in the new forests, which is key if conservation is going to work. To save the animals, you need to save the trees, and to save the trees, you need...
...along the walls and ceiling. They bristle with dog-eared flyers, bumper stickers, and mascots from long-forgotten guerrilla marketing campaigns, in a kind of polychrome collage fit for a museum exhibit of ephemera. Like butterflies mounted behind glass, they’ve been taken out of their natural habitat, removed from the context of the streetlamps and mailboxes where they meant what they said, into a new habitat and context, where they mean something else. On these walls, they symbolize an intrinsic bond between the post-bohemian artistic anarchy of graffiti culture and the mercurial lunatic fringe that underground...