Word: habitations
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Dates: during 1950-1959
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...work with a character called Dr. Fortunati (Peter Finch), who is described with Gothic horror as "a genius and a devil" but turns out to look like nothing worse than Alan Ladd with eyebrows. "Don't ever think for an instant," Sister Luke is warned, "that your habit will protect you." After teasing this tedious notion about for the better part of an hour, the script clumsily returns to its proper theme: love of God v. love of mankind...
...woman torn by powerful emotions, but, although a sensitive performer, the leading lady seems unable to express strong feelings of any kind. She is too cool; and so is the picture. She has the presence of the sprite, not the presence of the spirit. Calm and exquisite in her habit, she looks most of the time like nothing more troubled or troubling than (if such a thing were possible) a recruiting poster for a convent...
...course, my prejudice may come from the fact that I was an addict when arrested. I kicked my habit cold turkey. After waiting three months for trial, I was physically shed of my habit before trial (mentally shed is questionable yet). I was arrested (for possession) with 17½ grms. of heroin, tried in federal court, and sentenced to 40 years in prison. Vito Genovese, who possibly oversaw the distribution of 17½ Ibs. of heroin, who was only commercially interested, when tried in April received 15 years. (Harsher penalties only get the applause of the "big city boys...
...highways and the upsurge of the trucking industry offset Chicago's advantage as a rail center. Livestock production spread east and south. In World War II, rationing and price control, strictly enforced in Chicago, encouraged behind-the-barn slaughter throughout the farm belt. Once broken of the habit of shipping to Chicago, many farmers never went back. By 1954 there were 2,367 separate packing establishments in the U.S., nearly double the prewar number...
...vital key to Lewis Strauss's character is a perfectionism that still seems to nag him at an age when he might have become more mellowed. It shows in the studied elegance of his tailoring, in a precision of speech that comes natural to him from long habit but seems a bit affected to unfriendly ears, and above all in a fierce reluctance to admit his mistakes, no matter how human and understandable they may have been. Some of his perfectionism traces back to a sense of being an outsider. As a Jew, he has sometimes felt the wounding...