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Drug Money It seems to me useless for the U.S. to pour millions of dollars into Mexico's fight against narcos when the U.S. is the largest cocaine consumer in the world [Aug. 25]. Why doesn't it use that money to create programs for people to break the habit, or create programs like those in some European countries of legalizing and controlling consumption? The druglords in Mexico will continue to thrive as long as they have customers in the States. Susana Pérez, MEXICO CITY

Author: /time Magazine | Title: McCain: Temper of the Times | 9/17/2008 | See Source »

...this meandering trip to another climactic shootout, are a few detectives (John Leguizamo, Donnie Wahlberg and the always smart, luscious, screen-saving Carla Gugino) and some perps: Curtis Jackson, aka 50 Cent, as a Harlem drug lord; Trilby Glover as a lawyer with a coke habit; Oleg Taktarov as a slab-torsoed Russian mobster. They're around mostly to provide alibis and victims, and for spaces between the dialogues of the stars...

Author: /time Magazine | Title: Righteous Kill: De Niro and Pacino, ReHEATed | 9/12/2008 | See Source »

...what is getting to be something of a habit, Treasury Secretary Hank Paulson ruined his own and a lot of other people's weekend by choosing the morning of Sunday, Sept. 7, to announce the seizure of money-losing mortgage giants Fannie Mae and Freddie...

Author: /time Magazine | Title: With Fannie and Freddie, the US Is Bailout Nation | 9/11/2008 | See Source »

Allan and his band are making a habit of defying preconceptions. While the soundtrack to 2008 is all jangling indie guitars and retro '80s bleeping, the Scottish band's much heralded debut album, released on Sept. 8, boasts a mile-high Phil Spector-style "wall of sound" built - as it was by fellow Glaswegians the Jesus and Mary Chain - with brooding, layered guitars and pounding rhythms. Those expansive, girl-group arrangements are the epic backdrops to Glasvegas' brave and brutal lyrics. "Where Spector came from I guess is quite a good place to go if you want to land some...

Author: /time Magazine | Title: Glasvegas: All on Black | 9/10/2008 | See Source »

...complacent status quo. Pi, Requiem for a Dream and The Fountain were demanding and rewarding in various ways: the first whacko, the second gritty, the third sumptuously romantic, and all marvelously dense with imagery. The Wrestler is the first Aronofsky film to be visually inert. His main camera habit is to follow Randy, just his imposing back, as he trudges through corridors toward another fight. (Martin Scorsese virtually patented that shot, in Raging Bull and Goodfellas). The trope does pay off later in the film, when Randy, briefly retired, winds up behind a deli counter. That's a deft touch...

Author: /time Magazine | Title: The Wrestler: Mickey Rourke's Comeback | 9/6/2008 | See Source »

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