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...American Legion visitors, The Barber of Seville was given with U. S. artists in all the principal roles. Those who pleased most were Madame Luella Melius, coloratura soprano, and Theodore Karle, tenor. Applaud- ing in the audience sat: Frieda Hempel, Ganna Walska, Madeleine Keltic, M. Fitzhugh, Charles Hackett, William Martin...

Author: /time Magazine | Title: Notes: Music | 9/26/1927 | See Source »

...College Department of Music, and Ralph L. Baldwin, Supervisor of Music in Hartford public schools, will consider the question of "How to Stimulate the Appreciation and Practice of Good Music". The discussion will be led by Otis W. Caldwell, of the Lincoln School of New York City, Frank S. Hackett of the Riverdale Country Day School, New York, and Eugene R. Smith, of the Beaver Country Day School of Chestnut Hill...

Author: NO WRITER ATTRIBUTED | Title: 136 WILL ATTEND MASTERS MEETING | 2/11/1927 | See Source »

...these people rejoiced. They heard a native two-act opera, sung in English, composed by an American, Charles Wakefield Cadman, written by an American, Nelle Richmond Eberhardt, conducted by an American, Henry G. Weber, staged by an American, Charles Moor, sung, in the tenor role, by an American, Charles Hackett...

Author: /time Magazine | Title: Witch | 12/20/1926 | See Source »

...when religious fervor sometimes mounted to fanaticism, goaded honest people to the ugly business of hanging human beings suspected of witchcraft. (This was more really indigenous to American ancestry than plots about Indians or Creoles.)* Sheila Meloy (Irene Pavloska) to win the indifferent heart of Arnold Talbot (Charles Hackett), accuses the young man's Puritan sweetheart, Claris Willoughby (Eide Norena) of being possessed. Her evidence: a peculiar birthmark. At the very last minute, the little Irish girl repents, averts a cruel execution...

Author: /time Magazine | Title: Witch | 12/20/1926 | See Source »

...insists upon an old Puritan hymn, it has no particular American characteristics, being essentially just melodious, good, pleasant music. The love duet of the first act is probably the best example of its kind in American Opera. Sung in English, the words were intelligibly projected by the singers; Charles Hackett, particularly, excelled in clarity of diction...

Author: /time Magazine | Title: Witch | 12/20/1926 | See Source »

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