Word: hackett
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...they must. But there are other, less conventional strengths, each illuminating enough of the production to carry it past awkward moments. Lars Gunnar-Wigemark, snarling and slobbering as he narrates, inspires awe and terror even when he enters unexpectedly carrying a bright pink can of Tab; and Martha Hackett as Jenny, Macheath's favorite whore, provides the evening's most gripping moments in her two songs. --Amy E. Schwartz...
...Second Threepenny Finale: What Keeps Mankind Alive?, which closes the second act, encapsulates the message of the play, "Food is the first thing. Morals follow on." Rarely has the persistence of man's struggle against man been so strikingly captured with words and music. The strength of Bellucci and Hackett, addressing the audience with this particular account of original sin, is electrifying. Nothing more is needed to drive the message through the spectator's heart than the voices of the hardened tart and her procurer, accusing yet beseeching, against the panorama of human misery. Tempted to condemn them, the audience...
...sway over the criminal elements. He marries Peachum's daughter Polly (Daphne de Marneffe), without her parents' consent. Enraged, Peachum and his wife (Miriam Shmir) plot to have him hanged. Mrs. Peachum enlists the help of Mac's whores to trap him, one of whom, Low-Dive Jenny (Martha Hackett) once lived with him. Mr. Peachum bullies Tiger Brown (Christopher Randolph), the Sheriff of London and Mac's old army buddy, to arrest Macheath...
...actresses presents her character in an individual style impeccably suited to that character's function. Daphne de Marneffe gives Polly Peachum just enough soiled innocence. With a simple shrug, de Marneffe gives over Polly Peachum for the spectator to study, to chew up and to spit right back. Martha Hackett gives the strongest female presence of the production Artfully establishing the distance between herself, the character, and the audience, Hackett states clearly that most human conflict between fantasy and reality, between love and money. Her husky voice capturing the harsh sweetness of Weill's music evokes a visceral pleasure...
...statute does not indicate a difference between public and private police forces, Hackett said, adding that while the Free Press believes that the FOIA applies to both, "obviously, the university feels otherwise...