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...ecological art-as apt a name as any -sounds eccentric, it is. But it is also demanding. Its practitioners sweat and swim, dig trenches, hack through ice, suffer desert winds or the muscle aches of long climbs-all for the sake of a few photographs and a memory. No one intent merely on economic security would go in for it, since it results in little that can be sold or even framed. But a considerable number of artists, some young, some not so young, have committed themselves to it. So, as Arthur Miller might say, attention must be paid...

Author: /time Magazine | Title: Art: Back to Nature | 6/29/1970 | See Source »

...changed: where once we saw Huey Newton emerging from his heat-up 1956 Ford, jacking a round into the firing chamber of his rifle and facing down the cops, we now see the Panthers as experimental subjects strapped to an operating table and screaming in rage as clumsy butchers hack at them without anaesthetic...

Author: By Garrett Epps, | Title: Panthers Seize the Time | 5/18/1970 | See Source »

...army on the mountain. He worked on models, and in 1923 was given a $250,000 contract for the first seven figures. But he was thrown off the job in 1925 because his patrons felt he was not working as hard as he might. Borglum retreated in pique to hack out the second largest sculpture in the world-Mount Rushmore...

Author: /time Magazine | Title: Art: Mountain in Labor | 5/18/1970 | See Source »

...callow youth, Nanki-Poo, but his first song ( A wandering minstrel I/a thing of shreds and patches... ) established Nanki-Poo as a totally different character from that of the traditional interpretations. Alan Abrams, as Pooh-Bah, the Lord High Everything Else, was marvelous as the proud but corrupt political hack. But the undisputed star of the show was Josh Rubins, as Ko-Ko, the Lord High Executioner. Following the opulent train of reverent courtiers, he wore a ludicrous robe decorated with axe-heads and carried a headsman's axe several inches taller than he is. It was enough to bring...

Author: By Michael Ryan, | Title: Operettas The Mikado at Agassiz Theatre April 17-19; 23-25 | 4/18/1970 | See Source »

...company's plays offer criticism of the contemporary morass they see about them in America today, the Pagcant Players seek also, in their mode of theatrical presentation and the public affirmation of their collective lifestyle, an alternative system of joyous human inter-relationships-a "pageantry" of life. Says Nadine Hack, a new member of the group, "We will dance and make music and fight and make love and make the revolution...

Author: NO WRITER ATTRIBUTED | Title: Drama | 4/10/1970 | See Source »

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