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...their man in the end, collateral damage and legal niceties be damned. Think Steve McQueen as Bullitt pursuing a black Dodge Charger through San Francisco and then, just outside the city, pulling along side to smack the car into a gas station for a pyrotechnic finish. Or Gene Hackman, as detective Popeye Doyle in The French Connection, careering through Brooklyn streets while chasing a villain in an elevated train, smashing cars along...

Author: /time Magazine | Title: When Hot Pursuit Takes a Deadly Turn | 11/17/2006 | See Source »

...time away from the classroom—but not from work. “One image of a male professor on sabbatical is a bearded fellow sitting on his deck, puffing his pipe in relaxed contemplation,” said Pierce Professor of Social and Organizational Psychology J. Richard Hackman. “That’s not me.” His leave thus far has been “devoted almost entirely to completing writing obligations that range from ‘quite late’ to ‘holding up the whole book...

Author: By Nicholas A. Ciani, CRIMSON STAFF WRITER | Title: Profs Spend Off Year on Research | 9/15/2006 | See Source »

...Hundreds of horse industry organizations, racehorse owners, trainers, jockeys and humane societies back the ban. Hollywood has also turned out in full force with more than 50 entertainers - including Bo Derek, Clint Eastwood, Gene Hackman, Willie Nelson and Paul McCartney - publicly opposing the slaughter...

Author: /time Magazine | Title: Horse Slaughtering: The New Terrorism? | 9/7/2006 | See Source »

Behind him was a portrait of himself in Renaissance formal wear painted by actor Gene Hackman, according to Cramer’s nephew and consultant on the show, Cliff B. Mason ’07. Cramer befriended Hackman when the now-TV host was an investment fund manager...

Author: By Katherine M. Gray, CRIMSON STAFF WRITER | Title: HLS Hosts ‘Mad Money’ | 2/2/2006 | See Source »

Family dramas are always an invitation to fine ensemble acting, and these players are up to it. Hackman brings life to realism as effectively as he brings realism to fantasy in Target. Burstyn clarifies her character without oversimplifying. She finds both repose and luminosity in Kate. Madigan is not afraid to let the audience dislike her abrasiveness, while Sheedy uses patience and stillness as a counterpoise. Only Ann-Margret is somewhat shortchanged by the script: her motives are never made fully clear. Sometimes, too, the movie feels overly tidy and pleased with its own humanism. But it unashamedly keeps scratching...

Author: /time Magazine | Title: Cinema: Breakup | 4/18/2005 | See Source »

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