Word: haden
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Dates: during 1960-1969
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...Quartet, but here he emerges for the first time with his own trio, as well as his own compositions. His skill extends to the inside as well as the outside of the piano. In Love No. 2, he riffles the strings, producing a wiry thring that scrolls around Charlie Haden's bass. With more songful tunes, such as Everything I Love and Margot, he applies his agile touch to the keyboard and produces some lyrical, tender moments reminiscent of Bill Evans' playing...
What Makes Sense. Playing with Coleman, who uses a white plastic sax with a warmer tone than the conventional metal instrument, are Charlie Haden (bass), Edward Blackwell (drums) and Don Cherry (trumpet). They all seemed to be going their own ways. The direction of any tune might change from bar to bar, depending on which musicians happened to have "the dominant ear at that moment." The drummer repeatedly shifted his rhythm, forcing concessions from the other players. At best, the result evoked an abstract expressionist painting whose dots, slashes and blobs are miraculously knitted into a pattern...