Word: haden
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Dates: during 2000-2009
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...photo featured next to one of Bhabha, Harvard Film Archive Director Haden R. Guest wore a polished suit reflective of what he described to the Globe as his “old-school, but streamlined” style...
...called tough guys shedding tears. Harry Osborn (James Franco) gets weepie over his father's death, and enraged at his belief that Peter was responsible for it; he vents his rage in the supervillain guise of the New Goblin. Before being transformed into the irradiated Sandman, Flint Marko (Thomas Haden Church), the recidivist hoodlum - and murderer of Peter's sainted uncle - goes all soft and moist as he clutches his young daughter's locket. Peter has a jewelry fetish too: his aunt has given him her wedding ring, which he plans to present to his girlfriend Mary Jane (Kirsten Dunst...
...plate. The film’s feature villain is Venom, an alien organism who exploits Parker’s growing inner darkness in a perverse and disgusting way: it infects him before finding a permanent host in Eddie Brock (Topher Grace). Venom is joined by Sandman (Thomas Haden Church), an escaped convict-turned-mutant whose chance trip into an experimental reactor leaves him with power to control the sand. And adding to all of these new threats, there’s that murderous friend, Harry Osborn (James Franco), who has become the new Green Goblin, Spider-Man?...
...Gotham while battling a severe case of teen angst, Peter Parker (Tobey Maguire) is now a citywide celebrity as Spidey, with a swelled head to match. Enter a mess of nemeses, some old (James Franco as Harry Osborn), some new to the film series (Topher Grace as Venom, Thomas Haden Church as Sandman). For all the zippy fights and persuasive visual effects, SM3 is essentially a relationship movie, and a very sensitive one, about male-female and male-male bonding--it must set an all-time record for action heroes in tears. Mostly, director Sam Raimi's juggling act works...
Preparing for the role of the irradiated Sandman, a.k.a. Flint Marko, in Spider-Man 3, Thomas Haden Church researched the Golem of Jewish folklore and the Frankenstein monster--creatures as pathetic as they were horrific. He wanted to give a nuanced reading of a mutant steeped in self-knowledge. "I remember the performances of Lon Chaney Jr.," he says, "where there was the physical aggression with that kind of sadness and regret that he [was] physically aggressive and could terrify people...