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One of the most striking chapters is “Boston: Democracy as a State of Mind,” in which Damrosch recounts Tocqueville’s run-ins with Boston bluebloods and intellectuals, who were more like French aristocrats than any Americans that he had met up to...

Author: By Araba A. Appiagyei-Dankah, CONTRIBUTING WRITER | Title: Damrosch’s Rediscovery of Toqueville’s Vision of America | 4/13/2010 | See Source »

Even when he praises other artists, the compliments seem oddly back-handed. In a chapter about Great American Plays, he lauds many authors, but gives special credit to Thornton Wilder for “Our Town.” Mamet has some intriguing thoughts about how the play utilizes language...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: David Mamet’s Overstated ‘Theatre’ | 4/13/2010 | See Source »

Neither of them had read comic books as children but when cast in “The Losers,” a film adaptation of the comic series of the same name, both began to read the books.

Author: By Eleanor T. Regan, CONTRIBUTING WRITER | Title: ‘The Losers’ Win Hearts and World War III | 4/13/2010 | See Source »

“We had a guy named Harry Humphrey down there who was the real deal,” said Evans. “You know, this guy’s seen battle; he’s got bullets in his leg and he’d trained actors...

Author: By Eleanor T. Regan, CONTRIBUTING WRITER | Title: ‘The Losers’ Win Hearts and World War III | 4/13/2010 | See Source »

LM: I wrote a draft my sophomore year; it wasn’t for course credit or anything. I just really felt like I needed to write it, and I wanted to write a full-length musical. They say to write what you know, so I took everything that I...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: SPOTLIGHT: Lin-Manuel Miranda | 4/13/2010 | See Source »

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