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...there are some 1,500 emigre artists from Japan working in New York City today. Those who make a solid reputation on the American art scene, like the painter Shusaku Arakawa-a highly intellectual artist whose half-conceptual, half-painterly work is, as one American critic put it, "haggard with self-consciousness"are much envied in Tokyo. But the most admired living artists are all Western, with Jasper Johns at the top, closely followed by Christo, whose island-fringing project in Miami's Biscayne Bay-as Japanese as a Monet, blooms of pink on the still water-caused great...

Author: /time Magazine | Title: The Art of All They Do | 8/1/1983 | See Source »

...pierced by the sounds of artillery practice. I listened unblinkingly as the old woman urged me to center my life around a devoted husband and family so that I didn't end up forsaken like herself. The predictability of her advice was irritating. But her sorrowful goodbye and the haggard, living example she provided tempered my extremist aversion to the idea of marriage and a family. Lulla's predicament enlightened me to the fact that, for all the polemical feminist literature I'd digested since I was 12, my harsh beliefs had essentially taken shape within the safe and cozy...

Author: By Margaret Y. Han, | Title: An Odyssey | 7/29/1983 | See Source »

...peculiarly bloodless demolition of a largely toothless group. On TV broadcasts videotaped in jail, glum leaders of Iran's Tudeh Communist Party confessed, one by one, to being Soviet spies. Haggard and morose, First Secretary Nureddin Kianuri conceded that since its inception in 1941, the party had been "an instrument of espionage and treason," and added that he had been spying for Moscow since 1945. After seven colleagues elaborated on the details of their treachery, Ali Amou'i, a ranking Central Committee member, warned Iranian youths not to follow his example and calmly declared the dissolution...

Author: /time Magazine | Title: Iran: Hatred Without Discrimination Khomeini finds a new scapegoat | 5/16/1983 | See Source »

Writers, artists and beauties flit through Quennell's pages like guests at one of Lady Ottoline Morrell's parties. Here is George Orwell, with his face of "haggard nobility"; Novelist Ivy Compton-Burnett, "clever, sharp-nosed, sharp-chinned, close-lipped"; and Rose Macaulay, telling a friend at the end of her life, "I think I'm going to die in a fortnight. When are you pushing off?" Quennell writes affectionately of Artist Augustus John, with his gypsy ways and tribe of illegitimate children; John was immensely popular in his heyday, yet "had nothing of the fatuous outward...

Author: /time Magazine | Title: Books: Wicked Tongues | 1/31/1983 | See Source »

...perfect setting for Dudley House's production it conjures up the very turn-of-the century female identity that gives rise to both Mary McLane's artistic uniqueness and her despair. Donna Staephansky as the dying, 40-year-old Mary succeeds in dominating the play from her sickbed her haggard face showing the marks of unfulfilled expectation. Her raspy voiced stubborness and eccentricity keep her alive as a character and avoid the danger of letting the role wallow in bitterness and cynicism...

Author: By Mary Humes, | Title: Seeing Double | 11/18/1982 | See Source »

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