Word: haggise
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- 8 - Crash The Los Angeles car culture comes to a series of screeching interrelated halts as various forms of vehicular unpleasantness occur at every socio-economic level of the city. Show folks, politicians, criminals, and, yes, the cops who have to untangle the messes the make, work out their fates...
So, beginning next February, Eastwood will start shooting the companion movie, tentatively called Lamps Before the Wind, scheduled for simultaneous release with Flags next fall. Typically, Eastwood (who is an old friend of this writer's) is not able to articulate fully his rationale for this ambitious enterprise: "I don...
Taken together, the two screenplays show that the battle of Iwo Jima--and by implication, the whole war in the Pacific--was not just a clash of arms but a clash of cultures. The Japanese officer class, imbued with the quasi-religious fervor of their Bushido code, believed that surrender...
The Japanese film derives much of its strength from its claustrophobic confinement to a horrendous time and place. Haggis' work gains its power from its confident range. The screenplay starts with the Americans on the beaches and the protagonists raising the flag. It follows them on their vulgar war-bond...
Despite Haggis’s claims to the contrary, many may say the film falls prey to an overly neat ending, never really capitalizing on the spark and vitriol which is abundant earlier on. Nevertheless, Haggis accomplishes his goal of making “Crash” stay in your...