Word: hahn
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Dates: during 2000-2009
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...more than mere fiscal prudence. Linkin Park shocked the record industry by selling 4.8 million copies of its debut rap-metal fusion album, Hybrid Theory (Warner Bros. Records), to eclipse 'N Sync, Shaggy and Britney Spears as the top-selling act of 2001. "We're stunned," says DJ Joe Hahn. "We expected to tour in an RV for three album cycles before anything even close to this happened...
...avoid using the letter C, Linkin Park rocks and raps about its own sense of alienation, frustration and loneliness over a furious wall of musical fuzz. But what separates Linkin Park from the rest of the rapidly expanding nu-metal field is that the band's six members--Bennington, Hahn, 24, rapper Mike Shinoda, 24, guitarist Brad Delson, 24, bassist Phoenix (just Phoenix, thanks), 24, and drummer Rob Bourdon, 23--inject nearly everything they do (save their songs) with a sweetly humanistic approach. They may scream "Shut up when I'm talking to you" like misunderstood demons, but they...
...Hahn began studying violin at the age of four, entered Philadelphia's Curtis Institute of Music at 10 and signed an exclusive recording contract with Sony Classical at 16. But she doesn't think of herself as a prodigy. "A prodigy, in my mind, is someone who practices eight hours a day and has a big concert career at 13," she once told a reporter. "That's not my style. I practice maybe half that much, and I've had a pretty normal life...
...Normal" may not be a totally accurate way to describe the life of someone who made her debut with a major orchestra when she was 12 years old. Still, Hahn has a point. The hot glare of big-media publicity can affect prodigies like a sun lamp: first you blossom, then you blister. But this wunderkind has paced her career sensibly, steering clear of the pitfalls that await unformed artists who push themselves (or are pushed) too hard. Now, at 21, she is a fully mature musician with a style all her own. Says Fred Rogers, on whose TV show...
Mister Rogers is on to something. Listening to Hahn's glowing recording of Samuel Barber's gently poetic Violin Concerto, one has the same feeling of intimacy as if the two of you were having dinner together. Only a very real person--a whole self--can make music that way. Far too many prodigies crash, burn and vanish, but this remarkable young woman seems here to stay...