Word: haigh
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Emily, as well as Eliot's family back in St. Louis, was jolted by the news in 1915 that the 27-year-old student had married Vivienne Haigh-Wood, an Englishwoman of his own age about whom they knew nothing. She was pretty, intense, to some degree artistic, talented, and a disaster for the poet...
...result is schematic tedium. Napoleon (played by English Actor Kenneth Haigh) has nothing to do, and the script leaves him nothing to say or think. The plot, such as it is, consists of four strands: the foiled escape; the efforts of the garrison commander (Richardson) to move his prisoner from a damp villa to an even damper one; a couple of perfunctory sexual bouts by Napoleon with a married woman (Billie Whitelaw) and a 17-year-old groupie; and some dotty politicking (sample: "I want Vienna!") with Lord Sissal, who is making a deal to restore Napoleon to France...
...time to be influenced by Shakespeare. The Revenger's Tragedy shows that genius is not catching. In the way that one speaks of situation comedies, Tourneur's play is a situation tragedy, with its repetitive horrors and villainies lurching unpredictably into farce. Its demonic hero, Vendice (Kenneth Haigh), is bent on revenge without a hindering trace of Hamlet's "pale cast of thought" or the Dane's meditative scruples. Vendice comes onstage fondling the skull of his poisoned mistress. He plays pander in the court of the duke who killed her. Assembling the skeleton...
Endecott-played by Kenneth Haigh with the weary administrative sanity of Shaw's Caesar-is aware of the mourn ful carnage of retribution and revenge, and initially is reluctant to take any brutal measures against the colony. But then a clerical emissary from England arrives to announce that King Charles I intends to revoke the charter of the Massachusetts Colony and place it under the direct rule of the Archbishop of Canterbury. Morton taunts Endecott with this promise of lost authority, and suddenly the Governor becomes as steely as his armor. Delivering a flaming polemic against the King...
...against ossified language and the mass mind in lonesco, the bleak, alienated vision of Beckett, the sense of man eternally acting a role in Genet, and the use of the stage as a self-contained universe in Pinter. In a towering display of the actor's craft, Kenneth Haigh confers unbrooked, unhinged regality on the title character while coiling the inner man into a sentient ball or pain...