Word: hairdoed
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...visiting the U.S., unaware that Mick was already changing his image. In London, he threw a Lucullan feast on his 30th birthday for some 200 friends, including Debbie Reynolds, Britt Eklund and Peter Townshend of The Who, and sported a new and different look: short back and sides hairdo and a zoot suit. Does this portend a new career? Journalist Tony Scaduto's recent biography, Mick Jagger: Everybody's Lucifer, implies this could be so. Mick is quoted as saying, "I'm thinking about entering politics, but I haven't got the right wife." Indeed, BiancA...
...begin perusing the price list on the wall. Frank stands behind the counter waiting to take their order. "Good, onion pizza, please, sit down." The women, seated at the table, chat away, about Dick and Robert and Jordan Marsh. One is tall and black, with an expansive Afro hairdo. Her companion is white, with long black hair that sags onto her short leather jacket. They are oblivious to the group that has just walked in the door, to the conversation at the next table, to Frank's acrobatics behind the counter. In a few minutes they have their pizza...
...simple, gentle soul his wife remembers walked out of it with a $1,000,000 settlement. And if you still need convincing -- though perhaps this isn't playing fair -- just take a look at the guy. Notice the runty size, the duck waddle of a walk, the well-tinted hairdo sculpted to his face, the elfish upward twist of the eyebrows. It's as if this Battle had got its sexes mixed up. If this is the figurehead of sexism, the tough-skinned Tarzan of the hour, well then, things have changed...
...presented some shorter, more sketchy student works. "American Gothic" choreographed and danced by Arthur Bridgman and Eugenie Doyle doesn't quite stare at us with the starkness of Grant Wood's painting of an American couple--man holding pitch fork and woman wearing granny glasses and tight hairdo--but captures rather a younger spirit in this pas de deux of a couple, whether American or Gothic we can't tell. What the dancers retain is the constant look, that stare that the painting gives to the audience; this time the stare is primarily between the couple, as their necks turn...
Kenneth Ian Leighton Mills is not, in his own words, "an Old Blue member of the Yale inner circle." On the contrary, he is a heavy-shouldered, 6-ft. 4-in. black from Trinidad with a towering Afro hairdo and a penchant for blue jeans. He is also an avowed Marxist. Nonetheless, as a pupil of Oxford's distinguished logician AJ. Ayer, he so impressed the Yale philosophy department that he was hired in 1968 to teach courses on revolution and black liberation. And when Yale confronted the threat of a May Day riot two years ago, he worked...