Word: haire
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Dates: during 1990-1999
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...find her house. Then he got lucky--or so he thought. A police wagon was idling down the block, and Colbert got out of his dark blue 1985 Toyota Camry to ask directions. Inside the police van were two uniformed cops, a lean, square-jawed officer with longish yellow hair--known and feared on the streets as Blondie--and a short, dark-haired officer named Tommy Ryan. As Colbert recalls it today, "I was in the wrong place at the wrong time. I probably would have been safer in Kuwait...
...heroines has been transformed, through a stroke of sheer genius, into a hyper-modernized version of the Japanese schoolgirl: the archetype found ubiquitously in the cartoons (anime) which permeate Japanese popular culture. Decked out in characteristic anime schoolgirl uniforms--white blouses, hot pink neckties, suggestively tiny pleated skirts and hair in brilliant colors found nowhere in nature (Yamakawa's bright-blue bob must be seen to be believed)--the "little maids" combine in equal parts dizzy flirtatiousness, wide-eyed innocence and a hyper-sexualized tendency to vamp. The comedic effect, when contrasted with the stiffly suited business executives...
Disregarding Kelly's lame "One More Chance," the R & B songs honestly and freshly present twists on Scream 2's horror theme. D'Angelo does the best job with his cover of "She's Always In My Hair," written by the Artist Formerly Known as Prince. He sings hypnotically while the backing music provides the ultimate in sublime background for a slasher movie. The movie's theme "Scream," by Master P featuring Sukk the Shocker, presents a wailing cry for help, obviously fitting into Wes Craven's attempt to bring the horror movie genre into mainstream pop culture. Most humorously...
Getting ready to go back into the cold, Payanzo has trouble fitting Dylan's mop of unruly black hair into his blue knit hat. She and Dylan's father, Conrad T. Yazzie, frequently fight over whether his hair should be cut. Yazzie wants to braid it when it gets longer...
Director Michael Caton-Jones presents a confused jumble of bad accents, loud music, stale techno-babble and Richard Gere in a lifeless remake of the 1973 hit The Day of the Jackal. Traveling by minivan and rotating hair colors faster than Dennis Rodman, the Jackal (Bruce Willis) stalks a mystery target while the FBI scrambles to catch up with him, using the expertise of Gere's former IRA terrorist Declan Mulqueen. When Mulqueen and the Jackal finally meet, sparks fly and a gay kiss occurs. OK, not really, but it sure would have made this dopey flick a lot more...