Word: haired
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Dates: during 1920-1929
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...Beaux. That makes four. These that begin with B. Barcelona. Those that begin with M. Marseilles and Mallorca. You mean Palma. Yes P. Palma da Mallorca. . First Capital: Egypt. Second Capital: Rabbit. Third Capital: Fingering. Fourth Capital: Ardently silk. Fourth Capital: Spontaneously married. Third Capital: Camel's hair. Second Capital: Eider Down. First Capital: Chenille...
...Then he joyously pointed to a reproduction of the Louvre Belle. "This is a great lady of the period." Reverting to the Hahn painting he described the shoulders as flabby, the arms as puffy, the breast as lacking modeling, the embroidery as untrue to Leonardo's period. "The hair!" he exclaimed, "That's not hair-that is mud! ... If an artist paints wood it must be wood, not steel. If he paints hair it must be hair...
...broad street. They had noted details. The short man was perhaps 5 ft. 4 in. tall; he weighed 145 Ibs.; wore unpolished black leather half-shoes, black lisle socks, a grey tweed suit, a taupe-colored felt hat pulled down over his bespectacled hazel eyes. His black, curly hair was awry and needed cutting. His hands were in his pockets, with one nickel, one dime and one quarter. Other people of other descriptions were milling and bumping around him with other gaits. Traffic was moving, rumbling and screeching. The earth quaked from subway trains and building blasting...
Brother Lammot?tall and serious?his hair neatly parted on one side?peering through spectacles?is in many ways a slim edition of massive brother Pierre. But they differ in temperament. Lammot is a worker, a studious realist, where Pierre is a creative planner, an expansive idealist. Like Pierre's, his laugh is quiet, almost silent, but unlike Pierre's his interests are few and confined. Pierre crusades, but not Lammot. Pierre has conservatories; Lammot, conservatism...
History. During the War, Capt. Harry J. Hahn, Kansas City auto salesman, served with the U. S. aviation corps. In France he met and married Mlle. Andree Lardoux, niece of the Marquis de Chambre of Brittany. She brought her husband a natural dowry of dark hair and eyes, Gallic chic. Her property dowry included a painting of a gentle faced brunette whose bosom plumply filled her brick-red velvet bodice. The painting was on two layers of canvas, bore on the back the inscription: "Taken from the wood and put on canvas by Hacquin at Paris, 1777."* It had been...