Word: hairs
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Dates: during 1960-1969
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...that is dead or rapidly dying. Stately in his prose and his bearing, his voice rises from his chest in low modulated tones, while his accent, though definitely American, contains a touch of the British. Seated in his brown-hued study in formal repose, his solid features, white hair, and bushy white eyebrows suggest languid discussions, pipes and open fires...
...scenes. As Frank's wife, Irene Papas has a rare, abiding femininity that has taken on middle age and won. Luther Adler invests his role with the kind of craft and authority that make for supporting-actor awards. Douglas, fitted out in a push-broom mustache and dyed hair, is the most convincing, perhaps because the role of a prideful, aging bullock who clings to an old persona hits astonishingly close to home...
...wheelchair. Alvise, the doctors tell his father, shows no positive physical symptoms. Still, his parents airily dismiss the suggestion that the paralysis could be psychosomatic and leave on a business trip, entrusting Alvise to the care of his Aunt Lea (Lisa Gastoni). Zia Lea, a lithe beauty with raven hair and a creamy complexion, is vaguely dissatisfied with her lover of 15 years (Gabriele Ferzetti) and begins to take a more than consanguine interest in her antic charge on wheels...
...that was publicly denounced by Professional Atheist Madalyn Murray O'Hair as a violation of church-and-state separation. NASA, however, has received more than 800 letters approving the Scripture reading-many of them also proposing that Mrs. O'Hair be rocketed to the moon and left there...
Benedikt might be a cubist or surrealist painter, reconstructing the body, finding new relationships between lip and eye, discovering with insane logic that man's hair is the most important part of love. Raised in New York City, Benedikt is continually inspecting, distorting and re-creating the skyline of human existence. The method is often deliberately and delightfully nonsensical...