Word: hairs
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Dates: during 1970-1979
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...LEGACY OF MAO AND CHOU ENLAI. Loyal parents who sacrificed so much for the nation/ Never feared the ultimate fate/ Now that our country has become red/ Who will be its guardian? Our mission, unfinished/ May take a thousand years. The struggle tires us, and our hair is gray/ You and I, old friends, can we just watch our efforts be washed away? (Last poem...
Women too are flocking to Helmholz's shop. With female customers, he twists the hair into separate ropes and then burns the ends. Afterward, he shampoos the hair as usual, but dries it, natch, with a blow dryer...
Helmholz has even more exotic skills to impart. He does a brisk business styling men's chest hair into shamrocks, peace signs, hearts and other shapes on request. His torso tonsures, however, are done strictly with clippers...
...Second Empire Paris into an imagery of free movement and rhythmic arabesque. The art nouveau line-whiplike, airy, eddying back on itself-was common to high art as well. A good example is Gauguin's portrait of the painter Roy, 1889, with its serpentine forms of background and hair (see color page...
...Alphonse Mucha was a sculptor too, and nothing in this show epitomizes the art nouveau vision (or fantasy) of woman better than a bust he designed around 1899 for a Parisian jeweler. This astonishing object, whose form shifts like water in the twining reflections of silver flesh and gold hair, is perversely liturgical-a parody (done, one should recall, for a public whose cultural background was still Catholic) of medieval head reliquaries. The image, however, is not a saint or a magdalen but that sibylline bitch of the fin-de-siècle imagination, the Fatal Woman, La Belle Dame...