Word: hairs
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Dates: during 1970-1979
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...petrified that he will not be nominated at all if he stays out. And up in Durham, waiting for the call to marshal the state's Democrats behind their true love, Senator Edward Kennedy, sits the fiercest of New Hampshire's liberals, a female pol with blond hair, sculpted features and the un likely name Dudley Dudley...
Henry Woronicz as Valentine manages to breathe a bit more life into his role, especially after the first act. Though he looks like an emaciated Ted Baxter--complete with stiff face and silver hair--he carries off the more serious side of Valentine adequately. Woronicz provides a decent opposite to Catherine Rust's marvelous Silvia. Echoing Juliet's poignancy, Silvia is the best realized character in Shakespeare's script, and Rust does the part justice and more. Her voice shakes with genuine emotion and her gestures have none of the stiffness that hampers the rest of the cast. She saves...
...been one of the people in the crowd which packed Longfellow Hall last Wednesday night, you would have seen a short woman with grey wavy hair who proudly wears the demeanor of a mother and a grandmother. Her hands, firm and full, told of the work that she has had to do in order to raise her family. You only would have needed to scratch the surface a bit to find the core of toughness and conviction that has fought long and hard for the independence and survival of her beliefs and the beliefs of others...
Peter Ginna's appearance as an eccentric, macaroon-eating detective Julian Christoforou in Eye immediately commands attention. He slinks around the stage, shoes untied, hair greasy and unkempt, slurping yogurt. His initial energy never wanes, and his loony, yet contemplative characterization provides the best humor of the evening...
...portrayed literally, Claude's odyssey to self-awareness would be as hokey as Hollywood's "trip" movies of the '60s, like Easy Rider. Instead, Hair presents the decade in the terms of balletic myth. The passions of a generation are poured into a single setting, Central Park, on a single enchanted night. The park becomes an idealized, but never sentimentalized, recreation of the brief-lived Utopias that once sprang up in Haight-Ashbury, Woodstock and the East Village. Yet Weller does not get carried away by his conceit. His characters talk like people, not platitudinous flower children...